er husband at Nohant, so that she might see her son, and sometimes,
when M. Dudevant came to town, he called upon her in the apartments
which she shared with Jules Sandeau. He had accepted the situation, and
with his crudeness and lack of feeling he seemed to think it, if not
natural, at least diverting. At any rate, so long as he could retain
her half-million francs, he was not the man to make trouble about his
former wife's arrangements.

Meanwhile, there began to be perceptible the very slightest rift within
the lute of her romance. Was her love for Sandeau really love, or was
it only passion? In his absence, at any rate, the old obsession still
continued. Here we see, first of all, intense pleasure shading off into
a sort of maternal fondness. She sends Sandeau adoring letters. She is
afraid that his delicate appetite is not properly satisfied.

Yet, again, there are times when she feels that he is irritating and
ill. Those who knew them said that her nature was too passionate and
her love was too exacting for him. One of her letters seems to make
this plain. She writes that she feels uneasy, and even frightfully
remorseful, at seeing Sandeau "pine away." She knows, she avows, that
she is killing him, that her caresses are a poison, and her love a
consuming fire.

It is an appalling thought, and Jules will not understand it. He laughs
at it; and when, in the midst of his transports of delight, the idea
comes to me and makes my blood run cold, he tells me that here is the
death that he would like to die. At such moments he promises whatever I
make him promise.

This letter throws a clear light upon the nature of George Sand's
temperament. It will be found all through her career, not only that she
sought to inspire passion, but that she strove to gratify it after
fashions of her own. One little passage from a description of her
written by the younger Dumas will perhaps make this phase of her
character more intelligible, without going further than is strictly
necessary:

Mme. Sand has little hands without any bones, soft and plump. She is by
destiny a woman of excessive curiosity, always disappointed, always
deceived in her incessant investigation, but she is not fundamentally
ardent. In vain would she like to be so, but she does not find it
possible. Her physical nature utterly refuses.

The reader will find in all that has now been said the true explanation
of George Sand. Abounding with life, but incapable of