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ty for everything around him, that made her so efficient a housewife. If she possessed a manual for young house-hunters it was assuredly not by the light of this that she had chosen the home they were installed in. The 'sort of cottage' had been vacant for many years--an unpromising and ineligible object, a mile away from a village, and three miles away from a railway station. The main part of it was an actual cottage, of seventeenth-century workmanship; but a little stuccoed wing had been added to each side of it, in 1850 or thereabouts, by an eccentric old gentleman who at that time chose to make it his home. He had added also the small stable, a dairy, and other appanages. For these, and for garden, there was plenty of room, as he had purchased and enclosed half an acre of the surrounding land Those two stuccoed, very Victorian wings of his, each with a sash-window above and a French window below, consorted queerly with the old red brick and the latticed panes. And the long wooden veranda that he had invoked did not unify the trinity. But one didn't want it to. The wrongness had a character all its own. The wrongness was right--at any rate after Mary had hit on it for William. As a spinster, she would, I think, have been happiest in a trim modern villa. But it was a belief of hers that she had married a man of strange genius. She had married him for himself, not for his genius; but this added grace in him was a thing to be reckoned with, ever so much; a thing she must coddle to the utmost in a proper setting. She was a year older than he (though, being so small and slight, she looked several years younger), and in her devotion the maternal instinct played a great part. William, as I have already conveyed to you, was not greatly gifted. Mary's instinct, in this one matter, was at fault. But endearingly, rightly at fault. And, as William was outwardly odd, wasn't it well that his home should be so, too? On the inside, comfort was what Mary always aimed at for him, and achieved. The ground floor had all been made one room, into which you stepped straight from the open air. Quite a long big room (or so it seemed, from the lowness of the ceiling), and well-freshened in its antiquity, with rush-mats here and there on the irregular red tiles, and very white whitewash on the plaster between the rafters. This was the dining-room, drawing-room, and general focus throughout the day, and was called simply the Room. William ha
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