his sleep, but spoke not a
word.'
While we are on this subject, my readers may not be displeased with
another anecdote, communicated to me by the same friend, from the
relation of Mr. Hogarth.
Johnson used to be a pretty frequent visitor at the house of Mr.
Richardson, authour of Clarissa, and other novels of extensive
reputation. Mr. Hogarth came one day to see Richardson, soon after the
execution of Dr. Cameron, for having taken arms for the house of Stuart
in 1745-6; and being a warm partisan of George the Second, he
observed to Richardson, that certainly there must have been some very
unfavourable circumstances lately discovered in this particular case,
which had induced the King to approve of an execution for rebellion so
long after the time when it was committed, as this had the appearance of
putting a man to death in cold blood, and was very unlike his Majesty's
usual clemency. While he was talking, he perceived a person standing at
a window in the room, shaking his head, and rolling himself about in a
strange ridiculous manner. He concluded that he was an ideot, whom his
relations had put under the care of Mr. Richardson, as a very good man.
To his great surprise, however, this figure stalked forwards to where he
and Mr. Richardson were sitting, and all at once took up the argument,
and burst out into an invective against George the Second, as one,
who, upon all occasions was unrelenting and barbarous; mentioning many
instances, particularly, that when an officer of high rank had been
acquitted by a Court Martial, George the Second had with his own hand,
struck his name off the list. In short, he displayed such a power of
eloquence, that Hogarth looked at him with astonishment, and actually
imagined that this ideot had been at the moment inspired. Neither
Hogarth nor Johnson were made known to each other at this interview.
1740: AETAT. 31.]--In 1740 he wrote for the Gentleman's Magazine the
'Preface,' 'Life of Sir Francis Drake,' and the first parts of those of
'Admiral Blake,' and of 'Philip Baretier,' both which he finished the
following year. He also wrote an 'Essay on Epitaphs,' and an 'Epitaph
on Philips, a Musician,' which was afterwards published with some other
pieces of his, in Mrs. Williams's Miscellanies. This Epitaph is so
exquisitely beautiful, that I remember even Lord Kames, strangely
prejudiced as he was against Dr. Johnson, was compelled to allow it very
high praise. It has been ascribed t
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