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plishing that object is to beat our retreat--excuse a professional metaphor from a military man--to beat our retreat from York to-morrow. I see my way plainly so far; but I am all abroad, as we used to say in the militia, about my marching orders afterward. The next direction we take ought to be chosen with an eye to advancing your dramatic views. I am all ready, when I know what your views are. How came you to think of the theater at all? I see the sacred fire burning in you; tell me, who lit it?" Magdalen could only answer him in one way. She could only look back at the days that were gone forever, and tell him the story of her first step toward the stage at Evergreen Lodge. Captain Wragge listened with his usual politeness; but he evidently derived no satisfactory impression from what he heard. Audiences of friends were audiences whom he privately declined to trust; and the opinion of the stage-manager was the opinion of a man who spoke with his fee in his pocket and his eye on a future engagement. "Interesting, deeply interesting," he said, when Magdalen had done. "But not conclusive to a practical man. A specimen of your abilities is necessary to enlighten me. I have been on the stage myself; the comedy of the Rivals is familiar to me from beginning to end. A sample is all I want, if you have not forgotten the words--a sample of 'Lucy,' and a sample of 'Julia.'" "I have not forgotten the words," said Magdalen, sorrowfully; "and I have the little books with me in which my dialogue was written out. I have never parted with them; they remind me of a time--" Her lip trembled, and a pang of the heart-ache silenced her. "Nervous," remarked the captain, indulgently. "Not at all a bad sign. The greatest actresses on the stage are nervous. Follow their example, and get over it. Where are the parts? Oh, here they are! Very nicely written, and remarkably clean. I'll give you the cues--it will all be over (as the dentists say) in no time. Take the back drawing-room for the stage, and take me for the audience. Tingle goes the bell; up runs the curtain; order in the gallery, silence in the pit--enter Lucy!" She tried hard to control herself; she forced back the sorrow--the innocent, natural, human sorrow for the absent and the dead--pleading hard with her for the tears that she refused. Resolutely, with cold, clinched hands, she tried to begin. As the first familiar words passed her lips, Frank came back to her from th
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