years of
consideration, that there never can have been anybody in the world who
played worse. He made the most dismal sounds I have ever heard produced
by any means, natural or artificial. I don't know what the tunes
were--if there were such things in the performance at all, which I
doubt--but the influence of the strain upon me was, first, to make me
think of all my sorrows until I could hardly keep my tears back; then to
take away my appetite; and lastly, to make me so sleepy that I couldn't
keep my eyes open. They begin to close again, and I begin to nod, as the
recollection rises fresh upon me. Once more the little room, with its
open corner cupboard, and its square-backed chairs, and its angular
little staircase leading to the room above, and its three peacock's
feathers displayed over the mantelpiece--I remember wondering when I
first went in, what that peacock would have thought if he had known what
his finery was doomed to come to--fades from before me, and I nod, and
sleep. The flute becomes inaudible, the wheels of the coach are heard
instead, and I am on my journey. The coach jolts, I wake with a start,
and the flute has come back again, and the Master at Salem House is
sitting with his legs crossed, playing it dolefully, while the old woman
of the house looks on delighted. She fades in her turn, and he fades,
and all fades, and there is no flute, no Master, no Salem House, no
David Copperfield, no anything but heavy sleep.

I dreamed, I thought, that once while he was blowing into this dismal
flute, the old woman of the house, who had gone nearer and nearer to him
in her ecstatic admiration, leaned over the back of his chair and gave
him an affectionate squeeze round the neck, which stopped his playing
for a moment. I was in the middle state between sleeping and waking,
either then or immediately afterwards; for, as he resumed--it was a real
fact that he had stopped playing--I saw and heard the same old woman ask
Mrs. Fibbitson if it wasn't delicious (meaning the flute), to which Mrs.
Fibbitson replied, 'Ay, ay! yes!' and nodded at the fire: to which, I am
persuaded, she gave the credit of the whole performance.

When I seemed to have been dozing a long while, the Master at Salem
House unscrewed his flute into the three pieces, put them up as before,
and took me away. We found the coach very near at hand, and got upon the
roof; but I was so dead sleepy, that when we stopped on the road to take
up somebody e