FREE BOOKS

Author's List




PREV.   NEXT  
|<   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58  
59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>   >|  
as quietly put on the shelf. This experience falls to the lot of every writer of operas and is so commonplace an incident that I should do no more than barely mention it did not many followers of Wagner see in it the beginning of that "persecution by the Jews" of which we heard so much a few years ago. It appears to me nothing of the kind. The Jews did not at that date particularly single out Wagner for attack: merely they defended their vested interests exactly as the musical profession in England defended and still defends its vested interests. It should be remembered that he had quite as many friends as enemies amongst the Hebrews; and I never could understand how, to mention only two, two great conductors and intimates of Wagner, Mottl and Levi, could tolerate all the nonsense talked on the subject at Bayreuth. When Brendel published the notorious _Judaism in Music_ it is true many Jewish journalists began to libel Wagner: it is true also that some Jewish professors in the Leipzig conservatoire petitioned that Brendel should be dismissed; but these were the shabby acts of individuals, and far too many shabby acts were perpetrated by Richard's partisans for it to be desirable for _them_ to raise the cry of persecution. Perforce I must say a few words more on this disagreeable topic when I come to deal with the Meyerbeer-Rienzi episode; but I promise the reader to cut it as short as may be. Once for all, despite all protestations, despite Wagner's honest belief to the contrary, I dismiss the Jewish conspiracy theory as rubbish. Richard's health was in no way injured by the breakdown of the negotiations. His letters of the period are as buoyant as could be wished. He had other schemes. At the Freemasons' concerts his _Die Feen_ overture made a hit. He heard Schroeder-Devrient in Bellini's _Montechi e Capuleti_, and found to his astonishment that a great singer could create great artistic effects in music of no very high value. He had many friends, and amongst them Schumann and Heinrich Laube--the latter a free-thinking journalist whose utterances so scared the government-by-police, as tending to make people think for themselves instead of peacefully submitting to be governed, that he was put in prison. He was editor of a paper called the _Zeitung fuer die Elegante Welt_--- a curious title for a journal which frequently praised the democratic Richard. In the summer of 1834 he went for another holiday, this time to Tep
PREV.   NEXT  
|<   34   35   36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58  
59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   >>   >|  



Top keywords:
Wagner
 

Richard

 
Jewish
 

defended

 
vested
 
interests
 
Brendel
 

friends

 

shabby

 

mention


persecution

 

Freemasons

 

overture

 

concerts

 

quietly

 

Schroeder

 

singer

 

astonishment

 

create

 

artistic


effects

 

Capuleti

 

Devrient

 

Bellini

 
Montechi
 
wished
 

dismiss

 

contrary

 

conspiracy

 

theory


rubbish

 
belief
 
honest
 

protestations

 

health

 

period

 

buoyant

 

letters

 

injured

 
breakdown

negotiations
 
schemes
 

Heinrich

 

Elegante

 
curious
 

editor

 

called

 

Zeitung

 

journal

 
frequently