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f the feeble, mattoid character of the religion in question, as illustrated by its quietist saints, the Quakers, the Tolstoyans, and non-resisters in general. When he had cooled down, he would run into a denunciation of the asceticism of Christianity, the monastic system, hair-shirts, and so on. Then he would come across a sweeping condemnation of its sensual luxuriousness, its bejewelled chalices, its pompous rituals, the extravagance of its archbishops, and the like. Christianity "was abused for being too plain and for being too coloured." And then the sudden obvious truth burst upon Chesterton, What if Christianity was the happy mean? Perhaps, after all, it is Christianity that is sane and all its critics that are mad--in various ways. I tested this idea by asking myself whether there was about any of the accusers anything morbid that might explain the accusation. I was startled to find that this key fitted a lock. For instance, it was certainly odd that the modern world charged Christianity at once with bodily austerity and with artistic pomp. But then it was also odd, very odd, that the modern world itself combined extreme bodily luxury with an extreme absence of artistic pomp. The modern man thought Becket's robes too rich and his meals too poor. But then the modern man was really exceptional in history. No man before ever ate such elaborate dinners in such ugly clothes. The modern man found the church too simple exactly where modern life is too complex; he found the church too gorgeous exactly where modern life is too dingy. The man who disliked the plain fasts and feasts was mad on _entrees_. The man who disliked vestments wore a pair of preposterous trousers. And surely if there was any insanity involved in the matter at all it was in the trousers, not in the simply falling robe. If there was any insanity at all, it was in the extravagant _entrees_, not in the bread and wine. Nevertheless, Christianity was centrifugal rather than centripetal; it was not a mere average, but a centre of gravity; not a compromise, but a conflict. Christ was not half-God and half-man, like Hercules, but "perfect God and perfect man." Man was not only the high
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