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and the English Nonconformists, as they are becoming more cultivated--and there are now many highly-cultivated men among them--are introducing Gothic architecture more and more into their churches. There are elements in it, it seems, which do not contradict their Puritanism; elements which they can adapt to their own worship; namely, the very elements which Mr. Ruskin has discerned. But if they can do so, how much more can we of the Church of England? As long as we go on where our medieval forefathers left off; as long as we keep to the most perfect types of their work, in waiting for the day when we shall be able to surpass them, by making our work even more naturalistic than theirs, more truly expressive of the highest aspirations of humanity; so long we are reverencing them, and that latent Protestantism in them, which produced at last the Reformation. And if any should say: "Nevertheless your Protestant Gothic Church, though you made it ten times more beautiful, and more symbolic than Cologne Minster itself, would still be a sham. For where would be your images? And still more, where would be your Host? Do you not know that in the medieval church the vistas of its arcades, the alternation of its lights and shadows, the gradations of its colouring, and all its carefully subordinated wealth of art, pointed to, were concentrated round, one sacred spot, as a curve, however vast its sweep through space, tends at every moment toward a single focus? And that spot, that focus was, and is still in every Romish church, the body of God, present upon the altar in the form of bread? Without Him, what is all your building? Your church is empty; your altar bare; a throne without a king; an eye-socket without an eye." My friends, if we be true children of those old worthies, whom Tacitus saw worshipping beneath the German oaks, we shall have but one answer to that scoff: "We know it; and we glory in the fact. We glory in it, as the old Jews gloried in it, when the Roman soldiers, bursting through the Temple and into the Holy of Holies itself, paused in wonder and in awe when they beheld neither God, nor image of God, but--blank yet all-suggestive--the empty mercy-seat. "Like theirs, our altar is an empty throne; for it symbolises our worship of Him who dwelleth not in temples made with hands; whom the heaven and the heaven of heavens cannot contain. Our eye-socket holds no eye. For it symbolises our worship o
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