FREE BOOKS

Author's List




PREV.   NEXT  
|<   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223  
224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   >>  
ost always master in these as well. [149] The jurisconsult Gaius says, "On provincial soil we can have possession only; the emperor owns the property." [150] "Great personages," says Epictetus, "cannot root themselves like plants; they must be much on the move in obedience to the commands of the emperor." [151] A client's task was a hard one; the poet Martial, who had served thus, groans about it. He had to rise before day, put on his toga which was an inconvenient and cumbersome garment, and wait a long time in the ante-room. [152] Caesar gave also a combat between two troops, each composed of 500 archers, 300 knights (30 knights according to Suetonius; Julius, ch. 39), and 20 elephants. [153] In an official discourse an orator thanks the emperor Constantine who had given to the amphitheatre an entire army of barbarian captives, "to bring about the destruction of these men for the amusement of the people. What triumph," he cried, "could have been more glorious?" [154] St. Augustine in his "Confessions" describes the irresistible attraction of these sanguinary spectacles. [155] A Phrygian relates in an inscription that he had made seventy-two voyages from Asia to Italy. [156] There were some sceptical writers, like Lucian, but they were isolated. CHAPTER XXV THE ARTS AND SCIENCES IN ROME LETTERS =Imitation of the Greeks.=--The Romans were not artists naturally. They became so very late and by imitating the Greeks. From Greece they took their models of tragedy, comedy, the epic, the ode, the didactic poem, pastoral poetry, and history. Some writers limited themselves to the free translation of a Greek original (as Horace in his Odes). All borrowed from the Greeks at least their ideas and their forms. But they carried into this work of adaptation their qualities of patience and vigor, and many came to a true originality. =The Age of Augustus.=--There is common agreement in regarding the fifty years of the government of Augustus as the most brilliant period in Latin literature. It is the time of Vergil, Horace, Ovid, Tibullus, Propertius, and Livy. The emperor, or rather his friend Maecenas, personally patronized some of these poets, especially Horace and Vergil, who sang the glory of Augustus and of his time. But this Augustan Age was preceded and followed by two centuries that perhaps equalled it. It was in the preceding century,[157] the first before Christ, that the most original
PREV.   NEXT  
|<   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   223  
224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   >>  



Top keywords:

emperor

 

Horace

 
Augustus
 

Greeks

 

knights

 

original

 

writers

 

Vergil

 

Lucian

 
sceptical

models
 

tragedy

 

comedy

 
pastoral
 
limited
 

poetry

 

history

 
didactic
 

translation

 
naturally

LETTERS

 
Imitation
 
Romans
 

artists

 

CHAPTER

 

imitating

 
isolated
 

Greece

 

SCIENCES

 
adaptation

friend
 

Maecenas

 

personally

 

patronized

 

literature

 

Tibullus

 

Propertius

 

centuries

 

equalled

 
preceding

century
 
preceded
 

Augustan

 

Christ

 

period

 
carried
 

qualities

 

borrowed

 

patience

 

government