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lip's attack upon Swanzey was a premature explosion; and that Canonchet then watched the course of events for a while before making up his mind whether to abandon Philip or support him? [34] A wretched little werewolf who some few years ago, being then a lad of fourteen or fifteen years, most cruelly murdered two or three young children, just to amuse himself with their dying agonies. The misdirected "humanitarianism," which in our country makes every murderer an object of popular sympathy, prevailed to save this creature from the gallows. Massachusetts has lately witnessed a similar instance of misplaced clemency in the case of a vile woman who had poisoned eight or ten persons, including some of her own children, in order to profit by their life insurance. Such instances help to explain the prolonged vitality of "Judge Lynch," and sometimes almost make one regret the days in old England when William Probert, after escaping in 1824 as "king's evidence," from the Thurtell affair, got caught and hanged within a twelvemonth for horse-stealing. Any one who wishes to study the results of allowing criminality to survive and propagate itself should read Dugdale's The Jukes; Hereditary Crime, New York, 1877. [35] Weeden, _Indian Money as a Factor in New England Civilization_, Johns Hopkins University Studies, II. viii., ix. p. 30. [36] Doyle, ii. 253. [37] Doyle, _Puritan Colonies_, ii. 254. [38] The quotation is from an unpublished letter of Rev. Robert Ratcliffe to the Bishop of London, cited in an able article in the _Boston Herald_, January 4, 1888. I have not seen the letter. [39] Doyle, _Puritan Colonies_, ii. 379, 380. End of Project Gutenberg's The Beginnings of New England, by John Fiske *** END OF THIS PROJECT GUTENBERG EBOOK THE BEGINNINGS OF NEW ENGLAND *** ***** This file should be named 12767.txt or 12767.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/2/7/6/12767/ Produced by Charles Franks and PG Distributed Proofreaders Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of thi
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