arly. The lateness is not
tending to define a definite darkness, it does not shine and since that
time there is a large light. The western windless is not the same as the
white wind. The white wind has no poise. There is a diamond. A diamond
is a treasure. If a treasure is that color then there is a resemblance.

A trade between the one who has a hat and one who has a hat is such that
there is no hiatus. The one who has had a hat is the one who adds that.
The one who is the one that has that is that one adding that thing. No
neglecting and adding, no single safety silent disturbing, no neglect
and no glass is there to pass away and stay. It sees the solid sight and
that which is not bright is white, that which is single is resembling
and so it comes that when there is a show a way to pass into the recent
glow means more fire. A fine color is red and green and purple and rose
and yellow, a fine color resembles the continuation. Any fine color is
in a glass. A glass to resist must be a glass to pass. This shows no
shadow. This shows no scratch.

A change is measured, a card is unmeasured. There is a return of much
more. Stupor is not in winning a climate. It is lost in the remembrance
of poisoning. The list of a result in stretching a building does not
make any mark. The wheel is there. The trend is not behind a back. It is
in the window of a fenestra. The blending is distinct interspreading.
This is not the measure of wind. The return is not so, it is occupied.
The rest is arisen.

There is no height. If there is there is wind. There is wind. Height
shrinks below and settlement is not soluble. The erection of yellow is
no violence. The five are won. Single, same, purple, blue, circle. The
last which section has the reverse resemblance has no moment and there
is a tendency which in the rising of the setting sun means new arising.

To shine and whine, to shatter and shrink, to collect and settle, to
stir and suck, to lose violence and select simultaneity, to see that the
whole exception is not arrested and to satiate the lines of resemblance,
this and no more is underdone. The public and pilot, all the shining
land and the wind and no neglect, all this does not mean that there is
no denial. It has been there the same result of no intended excavation,
it has been there and that exception planted no resemblance has a
moment, none and the illustration is planted and the time is placed.

So then there is no secret. A secre