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to the door, giving his arm to steady the steps of the older man. IX. THE BAIT. Marcia crouched, huddled in the farthest corner of the cell, and listened to the receding footsteps of the visitors. Then she heard new sounds echoing through the house: the rushing feet of slaves descending from their quarters, striving to gain their stations unobserved; the sharp tongue of Calavius now loosed from the bonds of terror, and rating them soundly for their unfaithfulness and cowardice; the patter of excuses and protestations. In a few moments the quarters above resounded with the shrieks and groans of those condemned to the lash; for the wrath and indignation of Calavius, generally the mildest of masters, were spurred to vindictive bitterness by a consciousness of his late terror and abasement. "They were guilty of all crimes, and, worst of all, of the rankest ingratitude. Let them learn that their master was still strong enough to punish." So the scourges fell, and the victims screamed and writhed. All these things Marcia heard, but they meant little to a mind so full of internal conflict as was hers. What was she to believe of herself? Had she not marked out a course of self-devotion and sacrifice which was to gain respite and safety for her country, revenge upon its enemies? Had not others, notably Decius Magius, been forced unwillingly to admit the possible efficiency of her plan? Yet now, when the gods had shown her favour beyond all anticipation--had brought the chosen quarry into her net--she had thrown all aside and yielded to her womanly weakness, her instinct of modesty, her sense of personal repulsion. What right had she to think of herself as a woman! He, for whose love her sex had been dear to her, was gone--a pallid shade who could no longer be sensitive to her beauty, a vague being sent far hence into the land of the four rivers by these very men whom she had devoted to destruction. What though the virtues that had beaten down her resolves had been good once--good for Marcia the woman? They were evil for that Marcia who had resolved to be a heroine, and who was now learning how hard it is for the female to seek the latter crown without losing the former. Again and again she struggled with herself, swayed back and forth by the counter-currents of conflicting shames, until the thought of death, as a final possibility, revived to steel her purpose. The sacrifice and the shame would be sh
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