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y superb, and while they amuse, they afford the reader much opportunity for reflection. Elsie Venner is a romance of destiny, and a strange physiological condition furnishes the key-note and marrow of the tale. It is Holmes' snake story, the taint of the serpent appearing in the daughter, whose mother was bitten by a rattle-snake before her babe was born. The traits inherited by this unfortunate offspring from the reptile, find rapid development. She becomes a creature of impulse, and her life spent in a New England village, at a ladies' academy, with its social and religious surroundings, is described and worked out with rare analytical skill, and by a hand accustomed to deal with curious scientific phenomena. The character drawing is admirable, the episodes are striking and original, and the scenery, carefully elaborated, is managed with fine judgment. Despite the idea, which to some may at first blush appear revolting and startling, there is nothing sensational in the book. The reader observes only the growth and movement of the poison in the girl's system, its effect on her way of life, and its remarkable power over her mind. Horror or disgust at her condition is not for one moment evoked. The style is pure and ennobling, and while our sympathies may be touched, we are at the same time fascinated and entertained, from the first page to the last. Of quite different texture is "The Guardian Angel," a perhaps more readable story, so far as form is concerned, much lighter in character, and less of a study. There is more plot, but the range is not so lofty. It is less philosophical in tone than "Elsie Venner," and the events move quicker. The scene of "The Guardian Angel" is also laid in an ordinary New England village, and the object of the Doctor-Novelist was to write a tale in which the peculiarities and laws of hysteria should find expression and development. In carrying out his plan, Dr. Holmes has achieved a genuine success. He has taught a lesson, and at the same time has told a deeply interesting story, lightened up here and there with characteristic humor and wit. The characters of Myrtle Hazard and Byles Gridley are drawn with nice discrimination, while the sketch of the village poet, Mr. Gifted Hopkins, is so life-like and realistic, that he has only to be named to be instantly recognized. He is a type of the poet who haunts the newspaper office, and belongs to every town and hamlet. His lady-love is Miss Susa
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