aptistery
Chapter V The Riccardi Palace and the Medici
Chapter VI S. Lorenzo and Michelangelo
Chapter VII Or San Michele and the Palazzo Vecchio
Chapter VIII The Uffizi I: The Building and the Collectors
Chapter IX The Uffizi II: The First Six Rooms
Chapter X The Uffizi III: Botticelli
Chapter XI The Uffizi IV: Remaining Rooms
Chapter XII "Aerial Fiesole"
Chapter XIII The Badia and Dante
Chapter XIV The Bargello
Chapter XV S. Croce
Chapter XVI The Accademia
Chapter XVII Two Monasteries and a Procession
Chapter XVIII S. Marco
Chapter XIX The SS. Annunziata and the Spedale Degli
Innocenti
Chapter XX The Cascine and the Arno
Chapter XXI S. Maria Novella
Chapter XXII The Piazza Vittorio Emmanuele to S. Trinita
Chapter XXIII The Pitti
Chapter XXIV English Poets in Florence
Chapter XXV The Carmine and San Miniato
Historical Chart of Florence and Europe, 1296-1564
List of Illustrations
In Colour
The Duomo and Campanile, From the Via Pecori
The Cloisters of San Lorenzo, Showing the Windows of the Biblioteca
Laurenziana
The Via Calzaioli, from the Baptistery, Showing the Bigallo and the
Top of Or San Michele
The Palazzo Vecchio
The Loggia of the Palazzo Vecchio and the Via de' Leoni
The Loggia de' Lanzi, the Duomo, and the Palazzo Vecchio, from the
Portico of the Uffizi
Fiesole, from the Hill under the Monastery
The Badia and the Bargello, from the Piazza S. Firenze
Interior of S. Croce
The Ponte S. Trinita
The Ponte Vecchio and Back of the Via de' Bardi
S. Maria Novella and the Corner of the Loggia di S. Paolo
The Via de' Vagellai, from the Piazza S. Jacopo Trafossi
The Piazza Della Signoria on a Wet Friday Afternoon
View of Florence at Evening, from the Piazzale Michelangelo
Evening at the Piazzale Michelangelo, Looking West
In Monotone
A Cantoria.
By Donatello, in the Museum of the Cathedral
Cain and Abel and Abraham and Isaac.
By Ghiberti, from his second Baptistery Doors
The Procession of the Magi.
By Benozzo Gozzoli, in the Palazzo Riccardi
Tomb of Lorenzo de' Medici, Duke of Urbino.
By Michelangelo, in the New Sacristy of S. Lorenzo
Christ and S. Thomas.
By Verrocchio, in a niche by Donatello and Michelozzo in the wall of
Or San Michele
Putto with Dolphin.
By Verrocchio, in the Palazzo Vecchio
Madonna Adoring.
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