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Look, hide yourself there! (She points to the cranny under the sloping roof.) Joseph (returning) Are you alone, mademoiselle? Pamela No; for are not you here? Joseph I heard something like the voice of a man. The voice came from below. Pamela Nonsense, more likely it came from above--Look down the staircase-- Joseph Oh! But I am sure-- Pamela Nonsense. Leave me, sir; I wish to be alone. Joseph Alone, with a man's voice? Pamela I suppose you don't believe me? Joseph But I heard it plain enough. Pamela You heard nothing. Joseph Ah! Pamela! Pamela If you prefer to believe the sounds which you say reached your ears, rather than the words I speak, you would make a very bad husband. That is quite sufficient for me. Joseph That doesn't prove that I did not hear-- Pamela Since I can't convince you, you can believe what you like. Yes! you did hear a voice, the voice of a young man, who is in love with me, and who does whatever I wish--He disappears when he is asked, and comes when he is wanted. And now what are you waiting for? Do you think that while he is here, your presence can be anything but disagreeable to us? Go and ask my father and mother what his name is. He must have told them when he came up stairs--he, and the voice you heard. Joseph Mlle. Pamela, forgive a poor youth who is mad with love. It is not only my heart that I have lost, but my head also, when I think of you. I know that you are just as good as you are beautiful, I know that you have in your soul more treasures of sweetness than you ever show, and so I know that you are right, and were I to hear ten voices, were I to see ten men here, I would care nothing about it. But one-- Pamela Well, what of it? Joseph A single one--that is what wounds me. But I must be off; it seems funny that I should have said all that to you. I know quite well that there is no one here but you. Till we meet again, Mlle. Pamela; I am going--I trust you. Pamela (aside) He evidently does not feel quite sure. Joseph (aside) There is some one here! I will run down and tell the whole matter to her father and mother. (Aloud) Adieu, Mlle. Pamela. (Exit.) SCENE SECOND Pamela and Jules. Pamela M. Adolph, you see to what you are exposing me. That poor lad is a work
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