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most dangerous man in the country. But he won't last long with the Strato Rovers on his trail." Marden nodded. "I can believe that. Tell me, Eagen, what are you doing out here around a small Earth town like Dentonville?" "The gov'ment's buildin' some kind of a ammunition place near here, and I understand the Black Hornet's figurin' on wreckin' everything. 'Course he won't get away with it." Scattered plasticade houses on either side of the road indicated they had reached the outskirts of Dentonville. Mike Eagen pointed ahead to a small white house set back among a cluster of trees. "There's where I'm holed up. Drop me off in front." A young woman in a faded blue satin-glass house-dress was standing at the gate of the white picket fence. She watched in silence as the passenger stepped from the rocket car and lifted his hand to the driver in careless farewell. "Thanks for the lift, chum," said Mike Eagen. "Not at all," replied Marden. "Glad to have been of service to Mike Eagen." The woman smiled to him. "He's told you his name, I see." Marden lifted his hat. "Indeed he has." "Michael is all right," she said. "I do think, though, that he reads too many Buck Gordon Interplanetary comic books for a boy of eleven." THE END Transcriber's Note: This etext was produced from _Amazing Stories_ April 1956 and was first published in _Amazing Stories_ November 1942. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of Hard Guy, by H. B. Carleton *** END OF THIS PROJECT GUTENBERG EBOOK HARD GUY *** ***** This file should be named 26855.txt or 26855.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/6/8/5/26855/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, ap
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