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even if now ... She looked timidly up the green tunnel of the arching trees, fearing to see him at any moment. And yet how she hastened her steps towards where he was! The moments were too long till she should find her heart's home! After a time, there came a moment of such terrible throbbing of the heart, such trembling, that she could not go on. She sat down on a rock beside the road and pressed her shaking hands on her cheeks. No, it was too awful. She had been insane to think of putting everything, her whole life, to the test of a moment's shock. She would go back. She would write him.... She looked up and saw her mother's gallant figure standing there before her. She smiled, and started on. Strange that she had thought her mother could be dead. Her first instinct had been right. Her mother, _her_ mother could not die. The road turned sharply to the left. She came out from the white birches. She was in the edge of the pasture, sweet-fern at her feet, a group of sheep raising startled heads to gaze at her, the sun's rim red on the horizon below her. And up there, the sunlight on his face, above her, stood Austin. The sight of him was like a great burst of music in her heart, like a great flood of light. Her doubts, her uncertainties, they were gone out, as utterly as night goes before the sun. Her ears rang to a sound like singing voices. For a moment she did not feel the ground under her feet.... Austin looked down and saw her. He stood like a man in a dream. And then he knew. He knew. And Sylvia knew. He gave a great cry of welcome which was to ring in her ears for all her life, like a benediction. He ran down to meet her, and took her in his arms. THE END End of the Project Gutenberg EBook of The Bent Twig, by Dorothy Canfield *** END OF THIS PROJECT GUTENBERG EBOOK THE BENT TWIG *** ***** This file should be named 11221.txt or 11221.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/2/2/11221/ Produced by Juliet Sutherland, Josephine Paolucci and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright
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