FREE BOOKS

Author's List




PREV.   NEXT  
|<   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218  
219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   >>   >|  
sold it for 100 florins. In order to return with more speed, he took his place in the public coach. When the passengers stopped to dine, Rembrandt, fearing to lose his treasure, remained in the carriage. The careless stable-boy who brought the horses their corn forgot to unharness them, and as soon as they had finished eating, excited probably by Rembrandt, who cared not for his fellow-passengers, the animals started off for Leyden, and quietly halted at their accustomed inn. Our painter then got out and repaired with his money to the mill. Great was his father's joy. At length these silly daubs, which had so often excited his angry contempt, seemed likely to be transmuted into gold, and the old man's imagination took a rapturous flight. "Neither he nor his old horse," he said, "need now work any longer; they might both enjoy quiet during the remainder of their lives. Paul would paint pictures, and support the whole household in affluence." Such was the old man's castle in the air; his clever, selfish son soon demolished it. "This sum of money," he said, "is only a lucky windfall. If you indeed wish it to become the foundation of my fortune, give me one hundred florins besides, and let me return to Amsterdam: there I must work and study hard." It would be difficult to describe old Rembrandt's disappointment. Slowly, reluctantly, and one by one, he drew forth the 100 florins from his strong-box. Paul took them, and with small show of gratitude, returned to Amsterdam. In a short time his fame became established as the greatest and most original of living artists. He had a host of imitators, but all failed miserably in their attempts at reproducing his marvelous effects of light and shade. Yet Rembrandt prized the gold which flowed in to him far more than the glory. While mingling the colors which were to flash out on his canvas in real living light, he thought but of his dingy coffers. When in possession of a yearly income equal to L2000 sterling, he would not permit the agent who collected his rents to bring them in from the country to Amsterdam, lest he should be obliged to invite him to dinner. He preferred setting out on a fine day, and going himself to the agent's house. In this way he saved two dinners--the one which he got, and the one he avoided giving. "So that's well managed!" he used to say. This sordid disposition often exposed him to practical jokes from his pupils; but he possessed a quiet temper, a
PREV.   NEXT  
|<   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218  
219   220   221   222   223   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   >>   >|  



Top keywords:
Rembrandt
 

Amsterdam

 
florins
 

excited

 
return
 

living

 

passengers

 
failed
 

flowed

 

temper


marvelous
 

effects

 

reproducing

 

miserably

 

attempts

 
prized
 

reluctantly

 
strong
 
Slowly
 

disappointment


difficult

 

describe

 

gratitude

 

original

 

artists

 

imitators

 

greatest

 

established

 

returned

 

dinners


avoided
 

setting

 

giving

 
practical
 

exposed

 

possessed

 

pupils

 

disposition

 
sordid
 
managed

preferred

 

dinner

 
thought
 

coffers

 

possession

 

yearly

 

canvas

 

mingling

 

colors

 

income