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d. She had graciously remembered our early acquaintance when Count Saxe took me to her house--for he took me everywhere he went--and she treated me with the greatest kindness always; for which I love and thank her forever. I was sorry to see she looked pale and weary in the strong afternoon light--she was ever frail, and adorned the world only too short a time. She wore neither rouge nor patches, nor was she ever remarkable for beauty; but she was charming as only Adrienne Lecouvreur was charming. As for Monsieur Voltaire, he looked both prosperous and impudent--and when Jacques Haret paid him a compliment he replied with a wink: "Dear sir, I am not Monsieur Voltaire. That fellow is in the Bastille. I, as you see, am tall and thin and not ill-looking, while Voltaire, it is well known, is short and stout and red of hair--and is the worst poet in France besides." Jacques Haret winked back. "Truly," said he, "I was mistaken. As you say, Monsieur Voltaire is a short, red-haired man--but he is not the worst poet in France. The creature has written some things that are not so bad--the _Henriade_, for example--it could not be better if I had done it myself. And I have made a little play after his _Mariamne_, which is not so bad either--my actors will now have pleasure in giving it. What a pity you are not Monsieur Voltaire!" At this, Monsieur Voltaire laughed--he had a huge laugh and a loud and rich voice, and eyes that glowed like coals of fire. Nobody having once seen this man could forget him, or mistake him for another. Then, amid a stormy clapping of hands, Jacques Haret gave three great thumps with a stick on the floor of the stage, in imitation of the House of Moliere, the curtain was pulled apart and the little play began. In a few minutes, the child actress advertised as Mademoiselle Adrienne came upon the stage, and was greeted with uproarious applause. She was no child, but a young girl of thirteen or possibly fourteen, and taller than the cobbler's boy, who played opposite to her. She was not strictly beautiful, but she had a spark of Heaven's own light in her deep, dark eyes--and she had the most eloquent red mouth I ever saw, with a little, bewitching curve in it, that made a faint dimple in her cheek. The blond wig she wore evidently disguised hair of satin blackness. She was slight and unformed, but graceful beyond words. Jacques Haret's version of _Mariamne_ was a very good one--what a mult
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