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se, of a story and a half, was plain, but spacious. Within it was an abundance of good furniture, linen and plate. Unlike most bachelors' houses, there was no need to apologize for anything. At the Manoir Cheverny, therefore, Gaston Cheverny took up his abode, with his brother and Jacques Haret as guests. Regnard showed no disposition to live at Castle Haret, alleging that he must furnish it and equip it from Brussels, which he proceeded to do; but I think he meant not to leave Gaston alone so close to the chateau of Capello. Regnard had two servants, and four horses quartered on his brother, and he bought another horse, giving three hundred good crowns for it. I never saw the least want of hospitality or affection for Regnard on Gaston's part. He was as generous a soul as I ever knew. As for Jacques Haret, he openly said he had only given up his quarters at the chateau of Capello because he could not wear the clothes of either Madame Riano or Mademoiselle Capello. He wore, however, both Gaston and Regnard Cheverny's clothes, until the two brothers presented him with a complete outfit, as the price for letting their wardrobes alone. I think all of us, after our adventures and disappointments and travels, enjoyed to the full this short season of peace and rest. We apprehended great influx of company, for which Count Saxe had, at present, no taste. But the weather suddenly turning very harsh, the roads became bad, and we saw but few guests. Among them was Count Bellegarde, the young man who had been Gaston Cheverny's friend at our first meeting. He was the same handsome, stupid, watery, no-ideaed fellow as that night in the Temple gardens. His family had put the notion into his head that he would do well to marry Mademoiselle Capello. He thought that a sight of his beauty was enough to accomplish his object. We had much diversion out of him, Jacques Haret and the two Chevernys slyly putting him up to many follies. Our days and evenings, however, were in general spent together without other guests, and naturally there was a bond amongst us. The better we came to know Madame Riano the more we saw to esteem in her, in spite of her extraordinary pride and everlasting blowing of the trumpet of the Kirkpatricks and her general desire to dominate the universe. And it was easy to see, in Francezka, those same sterling qualities of integrity, courage and generosity which distinguished Madame Riano, and with them infinitely
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