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The Project Gutenberg EBook of Wau-nan-gee or the Massacre at Chicago, by Major John Richardson This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Wau-nan-gee or the Massacre at Chicago A Romance of the American Revolution Author: Major John Richardson Release Date: March 23, 2010 [EBook #31745] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK WAU-NAN-GEE, MASSACRE AT CHICAGO *** Produced by Gardner Buchanan WAU-NAN-GEE OR, THE MASSACRE AT CHICAGO, A ROMANCE OF THE AMERICAN REVOLUTION, By MAJOR RICHARDSON, AUTHOR OF "WACOUSTA," "HARDSCRABBLE," "ECARTE," "JACK BRAG IN SPAIN," "TECUMSEH," &c. NEW YORK: H. LONG AND BROTHER, No. 43 ANN STREET. Entered according to Act of Congress, in the year One Thousand Eight Hundred and Fifty-Two, BY H. LONG AND BROTHER, In the Clerk's Office of the District Court of the United States for the Southern District of New York PREFATORY INSCRIPTION. My Publishers ask of me a couple of pages of matter to precede this Tale. It is scarcely necessary to state, that the whole of the text approaches so nearly to Historical fact, that any other preface than that which admits the introduction of but one strictly fictitious character--Maria Heywood--in the book, must be, in a great degree, supererogatory. Yet I gladly avail myself of this pleasing opportunity of manifesting the deep interest and sympathy with which I have ever regarded those brave spirits--heroes not less than heroines--who participated in the trials of that brief but horrid epoch. How can I better exemplify this than by inscribing to the descendants of the venerable founder of the City of Chicago--a prominent actor in the scene--as well as to the gallant military survivors of the Massacre, if any yet exist, the fruits of that interest and that sympathy. Dedications and Inscriptions have almost grown out of fashion--at least they are not so general in the present century as in the days of Dryden; but where, through them, an opportunity for the expression of esteem and sympathy is presented, an Author may gladly avail himself of the occasion to show that no common interest influenced the tracings of his pen--not t
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