RS

Earl R. Miner, _University of California, Los Angeles_
Maximillian E. Novak, _University of California, Los Angeles_
Lawrence Clark Powell, _Wm. Andrews Clark Memorial Library_

ADVISORY EDITORS

Richard C. Boys, _University of Michigan_
John Butt, _University of Edinburgh_
James L. Clifford, _Columbia University_
Ralph Cohen, _University of California, Los Angeles_
Vinton A. Dearing, _University of California, Los Angeles_
Arthur Friedman, _University of Chicago_
Louis A. Landa, _Princeton University_
Samuel H. Monk, _University of Minnesota_
Everett T. Moore, _University of California, Los Angeles_
James Sutherland, _University College, London_
H. T. Swedenberg, Jr., _University of California, Los Angeles_

CORRESPONDING SECRETARY

Edna C. Davis, _Clark Memorial Library_

EDITORS' NOTE

Although of considerable interest in itself, this hitherto unpublished
manuscript play is reprinted in facsimile in response to requests by
members of the Society for a manuscript facsimile of use in graduate
seminars.

INTRODUCTION

The Larpent collection of the Huntington Library contains the
manuscript copy of Charles Macklin's COVENT GARDEN THEATRE, OR
PASQUIN TURN'D DRAWCANSIR in two acts (Larpent 96) which is here
reproduced in facsimile.[1] It is an interesting example of that
mid-eighteenth-century phenomenon, the afterpiece, from a period when
not only Shakespearean stock productions but new plays as well were
accompanied by such farcical appendages.[2] This particular afterpiece
is worth reproducing not only for its catalogue of the social foibles of
the age, but as an illustration of satirical writing for the stage at a
time when dramatic taste often wavered toward the sentimental. It
appears that it has not been previously printed.

As an actor Charles Macklin is remembered for his Scottish dress in the
role of Macbeth, for his realistic portrayal of Shylock, for his quarrel
with Garrick in 1743, and for his private lectures on acting at the
Piazza in Covent Garden. He is less well known than he deserves as a
dramatist although there has been a recent revival of interest in his
plays stimulated by a biography by William W. Appleton, _Charles
Macklin: An Actor's Life_ (Harvard University Press, 1960) and evidenced
in "A Critical Study of the Extant Plays of Charles Macklin" by Robert
R. Findlay (PhD. Thesis at the State University of Iowa, 1963). Appleton
m