g, pirouetting, going like marionettes through all their paces.
At night I have had my gayest thoughts, at night my saddest. All things
seem open then to that giant, Imagination. Here, lying in the dark,
with as yet no glimmer of the coming dawn, no faintest light to show
where the closed curtains join, too indolent to rise and light the
lamp, too sleepy to put one's foot out of the well-warmed bed, praying
fruitlessly for that sleep that will not come--it is at such moments
as theses that my mind lays hold of the novel now in hand, and works
away at it with a vigor, against which the natural desire for sleep
hopelessly makes battle.
Just born this novel may be, or half completed; however it is, off goes
my brain at a tangent. Scene follows scene, one touching the other; the
character unconsciously falls into shape; the villain takes a rudy hue;
the hero dons a white robe; as for the heroine, who shall say what dyes
from Olympia are not hers? A conversation suggests itself, an act
thrusts itself into notice. Lightest of skeletons all these must
necessarily be, yet they make up eventually the big whole, and from the
brain wanderings of one wakeful night three of four chapters are
created for the next morning's work. As for the work itself, mine is
perhaps strangely done, for often I have written the last chapter
first, and founded my whole story on the one episode that it contained.
End of the Project Gutenberg EBook of The story of my first novel; How a
novel is written, by Mrs. Hungerford
*** END OF THIS PROJECT GUTENBERG EBOOK FIRST NOVEL; HOW WRITTEN ***
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