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Project Gutenberg's Cardinal Newman as a Musician, by Edward Bellasis This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Cardinal Newman as a Musician Author: Edward Bellasis Release Date: August 25, 2008 [EBook #26427] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK CARDINAL NEWMAN AS A MUSICIAN *** Produced by Charlene Taylor, Linda Cantoni, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries) CARDINAL NEWMAN AS A MUSICIAN. BY EDWARD BELLASIS, _Author of "Cherubini: Memorials Illustrative of his Life."_ [Illustration] LONDON: KEGAN PAUL, TRENCH, TRUeBNER, AND CO. 1892. REPRINTED (WITH ADDITIONS AND MUSICAL EXAMPLES) FROM "THE MONTH" OF SEPTEMBER, 1891. ROEHAMPTON: PRINTED BY JAMES STANLEY. Music's ethereal fire was given Not to dissolve our clay, But draw Promethean beams from Heaven, And purge the dross away. J.H.N. _Cardinal Newman as a Musician._ It is a remark of St. Philip Neri's latest biographer that, "Our Saint was profoundly convinced that there is in music and in song a mysterious and a mighty power to stir the heart with high and noble emotion, and an especial fitness to raise it above sense to the love of heavenly things."[1] In like manner the Saint's illustrious son, Cardinal Newman, has spoken of "the emotion which some gentle, peaceful strain excites in us," and "how soul and body are rapt and carried away captive by the concord of musical sounds where the ear is open to their power;"[2] how, too, "music is the expression of ideas greater and more profound than any in the visible world, ideas which centre, indeed, in Him whom Catholicism manifests, who is the seat of all beauty, order, and perfection whatever."[3] Music, then, to him was no "mere ingenuity or trick of art like some game or fashion of the day without meaning."[4] For him man "sweeps the strings and they thrill with an ecstatic meaning."[5] "Is it possible," he asks, "that that inexhaustible evolution and disposition of notes, so rich yet so simple, so int
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