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ied. I took up the roll and looked at it. It was the manuscript of a poem in blank verse. "I have been with it into a dozen newspaper and magazine offices," he explained with great bitterness. "Had I succeeded in getting a publisher for it I might have forgotten my wrongs and tried to build up a new life on the ruins of the old. But they would not have it, none of them, so I say, burn it! that no memory of me may remain in this miserable world." "Keep to the facts!" I severely retorted. "It was while carrying this poem from one newspaper to another that you secured that bit of print upon the blank side of which you yourself printed the obituary notice with which you savored your revenge upon the woman who had disappointed you." "You know that? Then you know where I got the poison with which I tipped the silly toy with which that weak man fooled away his life?" "No," said I, "I do not know where you got it. I merely know it was no common poison bought at a druggist's, or from any ordinary chemist." "It was woorali; the deadly, secret woorali. I got it from--but that is another man's secret. You will never hear from me anything that will compromise a friend. I got it, that is all. One drop, but it killed my man." The satisfaction, the delight, which he threw into these words are beyond description. As they left his lips a jet of flame from the neglected fire shot up and threw his figure for one instant into bold relief upon the lowering ceiling; then it died out, and nothing but the twilight dusk remained in the room and on the countenance of this doomed and despairing man. End of the Project Gutenberg EBook of A Difficult Problem, by Anna Katharine Green (Mrs. Charles Rohlfs) *** END OF THIS PROJECT GUTENBERG EBOOK A DIFFICULT PROBLEM *** ***** This file should be named 22807.txt or 22807.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/2/8/0/22807/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project G
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