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l more, and generally been far less conservative of the work of former generations than the mediaeval enlargers of the minster were. However, his work is now done--nave, towers, and choir were thoroughly restored about fifty years ago, and the transepts in 1891. No further work is contemplated at present. In fact, there seems nothing more that could well be done. [Illustration: THE MINSTER FROM THE SOUTH-EAST BEFORE 1891.] The church is built partly of a warm brown sandstone, partly of stone of a pale yellow or drab colour, the two kinds being in many places mixed so as to give the walls a chequered appearance. This may be noticed both outside and inside the building. In some of the walls the stones are used irregularly, in others they are carefully squared. The red stone is to be met with in the neighbourhood: some of that used for raising the transept walls in 1891 was obtained from a bridge in the town that was being rebuilt; and from marks on some of those stones it appeared that before being in the bridge they had been used in some ecclesiastical building, so that they have now returned to their original use. There is little ornament to be seen outside, save on the upper stage of the tower; in fact, the whole building excepting the arches of the nave and the tower may be described as severely plain in character. The college was never wealthy, hence probably it could not employ a number of carvers; then again it was not a monastic establishment, so that there were no monks to occupy their time in the embellishment of the building, carving, as monks often did, their quaint fancies on bosses and capitals. We miss the crockets and finials, the ball-flower, and other ornaments that we meet with in so many fourteenth-century buildings; but the very simplicity of the work gives the church a dignity that is often wanting in more highly ornamented structures. The small number of the buttresses in the body of the church is noteworthy; save at the angles there are only five--namely, two on each nave aisle, and one on the north choir aisle. At each of the eastern corners of the choir aisles the buttresses are set diagonally, as also are those on the northern corners of the north porch. There is a buttress on each of the side walls of the north porch, and two set at right angles to each other at each of the two corners of the north transept, and also at the south-west corner of the south transept; beneath the east window of t
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