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e study in all his romances of what may be fairly called a pre-eminently spiritual character as such, though Jeanie Deans approaches nearest to it. The same may be said of Shakespeare. But Shakespeare, though he has never drawn a pre-eminently spiritual character, often enough indulged his imagination while meditating on spiritual themes. FOOTNOTES: [Footnote 36: Lockhart's _Life of Scott_, iii. 198-9.] [Footnote 37: Lockhart's _Life of Scott_, ix. 231.] [Footnote 38: Ibid., vii. 255-6.] [Footnote 39: Ibid., viii. 292.] CHAPTER XII. DISTRACTIONS AND AMUSEMENTS AT ABBOTSFORD. Between 1814 and the end of 1825, Scott's literary labour was interrupted only by one serious illness, and hardly interrupted by that,--by a few journeys,--one to Paris after the battle of Waterloo, and several to London,--and by the worry of a constant stream of intrusive visitors. Of his journeys he has left some records; but I cannot say that I think Scott would ever have reached, as a mere observer and recorder, at all the high point which he reached directly his imagination went to work to create a story. That imagination was, indeed, far less subservient to his mere perceptions than to his constructive powers. _Paul's Letters to his Kinsfolk_--the records of his Paris journey after Waterloo--for instance, are not at all above the mark of a good special correspondent. His imagination was less the imagination of insight, than the imagination of one whose mind was a great kaleidoscope of human life and fortunes. But far more interrupting than either illness or travel, was the lion-hunting of which Scott became the object, directly after the publication of the earlier novels. In great measure, no doubt, on account of the mystery as to his authorship, his fame became something oppressive. At one time as many as _sixteen_ parties of visitors applied to see Abbotsford in a single day. Strangers,--especially the American travellers of that day, who were much less reticent and more irrepressible than the American travellers of this,--would come to him without introductions, facetiously cry out "Prodigious!" in imitation of Dominie Sampson, whatever they were shown, inquire whether the new house was called Tullyveolan or Tillytudlem, cross-examine, with open note-books, as to Scott's age, and the age of his wife, and appear to be taken quite by surprise when they were bowed out without being asked to dine.[40] In those days of
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