e study in all his
romances of what may be fairly called a pre-eminently spiritual character
as such, though Jeanie Deans approaches nearest to it. The same may be
said of Shakespeare. But Shakespeare, though he has never drawn a
pre-eminently spiritual character, often enough indulged his imagination
while meditating on spiritual themes.
FOOTNOTES:
[Footnote 36: Lockhart's _Life of Scott_, iii. 198-9.]
[Footnote 37: Lockhart's _Life of Scott_, ix. 231.]
[Footnote 38: Ibid., vii. 255-6.]
[Footnote 39: Ibid., viii. 292.]
CHAPTER XII.
DISTRACTIONS AND AMUSEMENTS AT ABBOTSFORD.
Between 1814 and the end of 1825, Scott's literary labour was
interrupted only by one serious illness, and hardly interrupted by
that,--by a few journeys,--one to Paris after the battle of Waterloo,
and several to London,--and by the worry of a constant stream of
intrusive visitors. Of his journeys he has left some records; but I
cannot say that I think Scott would ever have reached, as a mere
observer and recorder, at all the high point which he reached directly
his imagination went to work to create a story. That imagination was,
indeed, far less subservient to his mere perceptions than to his
constructive powers. _Paul's Letters to his Kinsfolk_--the records of
his Paris journey after Waterloo--for instance, are not at all above
the mark of a good special correspondent. His imagination was less the
imagination of insight, than the imagination of one whose mind was a
great kaleidoscope of human life and fortunes. But far more
interrupting than either illness or travel, was the lion-hunting of
which Scott became the object, directly after the publication of the
earlier novels. In great measure, no doubt, on account of the mystery
as to his authorship, his fame became something oppressive. At one
time as many as _sixteen_ parties of visitors applied to see
Abbotsford in a single day. Strangers,--especially the American
travellers of that day, who were much less reticent and more
irrepressible than the American travellers of this,--would come to him
without introductions, facetiously cry out "Prodigious!" in imitation
of Dominie Sampson, whatever they were shown, inquire whether the new
house was called Tullyveolan or Tillytudlem, cross-examine, with open
note-books, as to Scott's age, and the age of his wife, and appear to
be taken quite by surprise when they were bowed out without being
asked to dine.[40] In those days of
|