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shown in the sketch facing page 16, to the ubiquitous bellam. Old Basra lies up here. As I approached it one evening, with the sun going down, it looked most gorgeous. Palms and gardens on the right and the buildings of the town on the left, and boats approaching, dream-like In the sunset glow. I have sketched the effect roughly in the line drawing on page 21. Some of the regions up these creeks are extremely beautiful. For once there was nothing disappointing even in comparison--although comparisons, as we have seen, are odious--with Venetian waterways. For once we have something that can surpass in beauty anything that Venice can show. Basra can boast no architecture, but Nature, coming to her assistance, can produce, between sunshine and water, vistas of orange-laden trees overtopped with palms and all reflected in the still canal. I have known seven kinds of fruit to overhang the banks of one creek at the same time. [Illustration: Sunset, Old Basra.] I hired a bellam manned by two fearsome-looking pirates and explored unending waterways in and around Basra. The main thoroughfares run at right angles to the river, but there are numerous narrow branches communicating from one to the other, in some places forming a network of little channels. Some of these were beautiful beyond description. The tide is felt in all these waters, and sometimes, during a spring tide, the effect of some of these date palm plantations, with the ground just covered, is strange. Hundreds of palms seem to be growing up out of a lake, and the glades reflected in the still water is dream-like and enchanting, recalling Tennyson's nocturne-- "Until another night in night I enter'd, from the clearer light, Imbower'd vaults of piller'd palm." The pirates were quite jolly fellows who pointed out various things to me as being worthy of interest. By this time the natives have got up, in a most superficial way, the things which they think will interest the Englishman. Every group of palm trees more than twenty in number is pointed out as the Garden of Eden, every bump of ground more than six feet high is the mount on which the Ark rested, and every building more than fifty years old is the one undoubted and authentic residence of Sinbad the Sailor. An old house in Mesopotamia in which Sinbad the Sailor had _not_ lived would be equivalent to one of England's ancient country mansions in which Queen Elizabeth had never slept. The fact t
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