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of death?" In the evening after the stranger was gone Susannah sat with Ephraim in the old doorway. Before them, mid the harvest fields, winding over hill and dale, lay the long white road which led to the hill of Smith's early visions--the road on which Susannah had set forth with Angel Halsey on her wedding journey. "You are a-weary, wife, to-night," said Ephraim. He smoothed the hair upon her brow. "You have exhausted yourself with long weeping, and yet--" He did not say, "Have you reason to bemoan this man's tragic end?" for he knew that more sacred memories had caused the tears; of these some faint jealousy rose in his breast and kindness sealed his lips. She told him the truth in very simple words such as loving women use. "To-day I seemed to see" (she laid her hand across her knit brows) "all the passion of it again, the wrong, the right, the misery--from the day that Angel and I went out with such young passionate desire to divide the right from the wrong. I could see Angel and my baby shot before my eyes as Joseph Smith was shot. It is terrible to see death come that way. But they are all three lying now in the perfect peace of death." She put her hand in his. "Then, dear, my mind came back, from the rage and terror of war. I thought of their peace and of you--how God has healed my life by your love, and given me such joy. Is he not able to provide for the healing of the nations?" THE END. End of the Project Gutenberg EBook of The Mormon Prophet, by Lily Dougall *** END OF THIS PROJECT GUTENBERG EBOOK THE MORMON PROPHET *** ***** This file should be named 17279.txt or 17279.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/7/2/7/17279/ Produced by Robert Cicconetti, Josephine Paolucci and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Canadian Institute for Historical Microreproductions (www.canadiana.org)) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copyi
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