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ed by Piccini had no dramatic unity, no great ensembles, nothing but short airs, detached, without connection--no substance, but mere ornamentation. Gluck proved, also, that tragedy could be introduced in opera, while Piccini maintained that opera could embrace only the fable--the marvellous and fairylike. This musical quarrel became a veritable national issue, every salon, the Academy, and all clubs being partisans of one or the other theory; it did much to mould the later French and German music, and much credit is due the queen for the support given and the intelligence displayed in so important an issue. All singers, actors, writers, geniuses in all things, were sure of welcome and protection from Marie Antoinette; but she permitted her passion for the theatre to carry her to extremes unbecoming her position, for she consorted with comedians, played their parts, and associated with them as though they were her equals. Such conduct as this, and her exclusiveness in court circles, encouraged calumny. Versailles was deserted by the best families, and all the pomp and traditions of the French monarchs were abandoned. The king, in sanctioning these amusements at the "Little Trianon," lost the respect and esteem of the nobility, but the queen was held responsible for all evil,--for the deficit in the treasury, and the increase in taxes; to such an extent was she blamed, that the tide of public popularity turned and she was regarded with suspicion, envy, and even hatred. In the spring of 1777 the queen's brother, the Emperor Joseph II. of Austria, arrived in Paris for a visit to his sister and the court of France. The relations between him and Marie Antoinette became quite intimate; the emperor, always disposed to be critical, did not hesitate to warn his sister of the dangers of her situation, pointing out to her her weakness in thus being led on by her love of pleasure, and the deplorable consequences which this weakness would infallibly entail in the future. The queen acknowledged the justness of the emperor's reasoning, and, though often deeply offended by his frankness and severity, she determined upon reform. This resolution was, to some extent, influenced by the hope of pregnancy; so, when her expectations in that direction proved to be without foundation, so keen was the disappointment thus occasioned, that, in order to forget it, she plunged into dissipation to such an extent that it soon developed into a veri
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