l characteristic among French people since the sixteenth
century to love to please, to make themselves agreeable, to bring joy
and happiness to others, and to be loved and admired as well. With
this instinctive trait French women have always been bountifully
endowed. Highly emotional, they love to charm, and this has become
an art with them; balancing this emotional nature is the mathematical
quality. These two combined have made French women the great leaders
in their own country and among women of all races. They have developed
the art of studying themselves; and the art of coquetry, which
has become a virtue, is a science with them. The singular power of
discrimination, constructive ability, calculation, subtle intriguing,
a clear and concise manner of expression, a power of conversation
unequalled in women of any other country, clear thinking: all these
qualities have been strikingly illustrated in the various great women
of the different periods of the history of France, and according to
these they may by right be judged; for their moral qualities have not
always been in accordance with the standard of other races.

According as these two fundamental qualities, the emotional and
mathematical, have been developed in individual women, we meet the
different types which have made themselves prominent in history. The
queens of France, in general, have been submissive and pious, dutiful
and virtuous wives, while the mistresses have been bold and frivolous,
licentious and self-assertive. The women outside of these spheres
either looked on with indifference or regret at the all-powerfulness
of this latter class, unable to change conditions, or themselves
enjoyed the privilege of the mistress.

It must be remembered that in the great social circles in France,
especially from the sixteenth to the end of the eighteenth centuries,
marriage was a mere convention, offences against it being looked upon
as matters concerning manners, not morals; therefore, much of the
so-called gross immorality of French women may be condoned. It will
be seen in this history that French women have acted banefully on
politics, causing mischief, inciting jealousy and revenge, almost
invariably an instrument in the hands of man, acting as a disturbing
element. In art, literature, religion, and business, however, they
have ever been a directing force, a guide, a critic and judge, an
inspiration and companion to man.

The wholesome results of French