they are right who insist that the creation of art must be
justified on ethical grounds: all human activities must be so justified.
It is the philosopher's privilege to call upon the artist to show that
what he is about is either good in itself or a means to good. It is the
artist's duty to reply: "Art is good because it exalts to a state of
ecstasy better far than anything a benumbed moralist can even guess at;
so shut up." Philosophically he is quite right; only, philosophy is not
so simple as that. Let us try to answer philosophically.
The moralist inquires whether art is either good in itself or a means
to good. Before answering, we will ask what he means by the word "good,"
not because it is in the least doubtful, but to make him think. In fact,
Mr. G.E. Moore has shown pretty conclusively in his _Principia Ethica_
that by "good" everyone means just good. We all know quite well what we
mean though we cannot define it. "Good" can no more be defined than
"Red": no quality can be defined. Nevertheless we know perfectly well
what we mean when we say that a thing is "good" or "red." This is so
obviously true that its statement has greatly disconcerted, not to say
enraged, the orthodox philosophers.
Orthodox philosophers are by no means agreed as to what we do mean by
"good," only they are sure that we cannot mean what we say. They used to
be fond of assuming that "good" meant pleasure; or, at any rate, that
pleasure was the sole good as an end: two very different propositions.
That "good" means "pleasure" and that pleasure is the sole good was the
opinion of the Hedonists, and is still the opinion of any Utilitarians
who may have lingered on into the twentieth century. They enjoy the
honour of being the only ethical fallacies worth the powder and shot of
a writer on art. I can imagine no more delicate or convincing piece of
logic than that by which Mr. G.E. Moore disposes of both. But it is none
of my business to do clumsily what Mr. Moore has done exquisitely. I
have no mind by attempting to reproduce his dialectic to incur the
merited ridicule of those familiar with the _Principia Ethica_ or to
spoil the pleasure of those who will be wise enough to run out this very
minute and order a masterpiece with which they happen to be
unacquainted. For my immediate purpose it is necessary only to borrow
one shaft from that well-stocked armoury.
To him who believes that pleasure is the sole good, I will put this
question: D
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