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they are right who insist that the creation of art must be justified on ethical grounds: all human activities must be so justified. It is the philosopher's privilege to call upon the artist to show that what he is about is either good in itself or a means to good. It is the artist's duty to reply: "Art is good because it exalts to a state of ecstasy better far than anything a benumbed moralist can even guess at; so shut up." Philosophically he is quite right; only, philosophy is not so simple as that. Let us try to answer philosophically. The moralist inquires whether art is either good in itself or a means to good. Before answering, we will ask what he means by the word "good," not because it is in the least doubtful, but to make him think. In fact, Mr. G.E. Moore has shown pretty conclusively in his _Principia Ethica_ that by "good" everyone means just good. We all know quite well what we mean though we cannot define it. "Good" can no more be defined than "Red": no quality can be defined. Nevertheless we know perfectly well what we mean when we say that a thing is "good" or "red." This is so obviously true that its statement has greatly disconcerted, not to say enraged, the orthodox philosophers. Orthodox philosophers are by no means agreed as to what we do mean by "good," only they are sure that we cannot mean what we say. They used to be fond of assuming that "good" meant pleasure; or, at any rate, that pleasure was the sole good as an end: two very different propositions. That "good" means "pleasure" and that pleasure is the sole good was the opinion of the Hedonists, and is still the opinion of any Utilitarians who may have lingered on into the twentieth century. They enjoy the honour of being the only ethical fallacies worth the powder and shot of a writer on art. I can imagine no more delicate or convincing piece of logic than that by which Mr. G.E. Moore disposes of both. But it is none of my business to do clumsily what Mr. Moore has done exquisitely. I have no mind by attempting to reproduce his dialectic to incur the merited ridicule of those familiar with the _Principia Ethica_ or to spoil the pleasure of those who will be wise enough to run out this very minute and order a masterpiece with which they happen to be unacquainted. For my immediate purpose it is necessary only to borrow one shaft from that well-stocked armoury. To him who believes that pleasure is the sole good, I will put this question: D
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