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h forty and fifty thousand francs, is 'rubbish' which reveals the perfection of art at the time of the siege of Troy, proving that the Etruscans were Trojan refugees in Italy." This was the President's cumbrous way of joking; the short, fat man was heavily ironical with his wife and daughter. "The combination of various kinds of knowledge required to understand such 'rubbish,' Cecile," he resumed, "is a science in itself, called archaeology. Archaeology comprehends architecture, sculpture, painting, goldsmiths' work, ceramics, cabinetmaking (a purely modern art), lace, tapestry--in short, human handiwork of every sort and description." "Then Cousin Pons is learned?" said Cecile. "Ah! by the by, why is he never to be seen nowadays?" asked the President. He spoke with the air of a man in whom thousands of forgotten and dormant impressions have suddenly begun to stir, and shaping themselves into one idea, reach consciousness with a ricochet, as sportsmen say. "He must have taken offence at nothing at all," answered his wife. "I dare say I was not as fully sensible as I might have been of the value of the fan that he gave me. I am ignorant enough, as you know, of--" "_You!_ One of Servin's best pupils, and you don't know Watteau?" cried the President. "I know Gerard and David and Gros and Griodet, and M. de Forbin and M. Turpin de Crisse--" "You ought--" "Ought what, sir?" demanded the lady, gazing at her husband with the air of a Queen of Sheba. "To know a Watteau when you see it, my dear. Watteau is very much in fashion," answered the President with meekness, that told plainly how much he owed to his wife. This conversation took place a few days before that night of first performance of _The Devil's Betrothed_, when the whole orchestra noticed how ill Pons was looking. But by that time all the circle of dinner-givers who were used to seeing Pons' face at their tables, and to send him on errands, had begun to ask each other for news of him, and uneasiness increased when it was reported by some who had seen him that he was always in his place at the theatre. Pons had been very careful to avoid his old acquaintances whenever he met them in the streets; but one day it so fell out that he met Count Popinot, the ex-cabinet minister, face to face in the bric-a-brac dealer's shop in the new Boulevard Beaumarchais. The dealer was none other than that Monistrol of whom Pons had spoken to the Presidente, on
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