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which it is composed. We now come to Tennyson's masterpiece, the "Idylls of the King," an epic of chivalry, interpreted as personifying in its various characters the soul at war with the senses. These appeared during the years 1859 and 1872. Each of the Idylls, which has a connecting thread binding it to its fellow-allegory, takes its plot or fable from the legendary lore that has clustered round the name of Arthur, mythical King of the Britons about the era of the first invasion by the English. Out of the mass of material which was gathered by Sir Thomas Malory for his prose history of Arthur and his Knights, Tennyson takes the chief incidents and noblest heroic traits of character in the legends and blends them in a fashion of his own, steeping them in an atmosphere which his imagination creates, and lighting up all with a passion and glory of knightly adventure, as well as with a chasteness, purity, and high fervor of ethical thought, that must perpetuate the romance, as he has given it us, unto all time. The sections of the work as it now stands, in addition to its introductory dedication to the late Prince Consort, and the closing poem to the late Queen Victoria, are as follows: 'The Coming of Arthur,' which relates the mystery of the birth of the King, his marriage to Guinevere, daughter of Leodogran, King of Cameliard, and the wonders attending his crowning and establishment on the throne; next comes 'Gareth and Lynette,' a tale of love and scorn, and of the conflict between a false pride and a true ambition; to this is appended 'The Marriage of Geraint,' of Arthur's court, and a member of the great order of the Round Table. Next follows 'Geraint and Enid,'--Enid, the gentle and timid, whom Geraint had married after wooing the haughty Lynette,--a tale of pure and loyal womanhood, darkened for awhile by the clouds of jealousy and suspicion, yet closing happily long after the "spiteful whispers" had died down, and Geraint, assured of Enid's fealty, had ruled his kingdom well and gone forth to "crown a happy life with a fair death" against the heathen of the Northern Sea, "fighting for the blameless King." The next Idyll relates how the venerable magician Merlin succumbs to the thrall of the wily harlot Vivien, decked in her rare robe of samite, and yields to her the charm which was his secret. 'Lancelot and Elaine' follows with its conflict between the virgin innocence of Elaine, the lily maid of Astolat, and the g
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