ed his Epistles [883]. He became the tutor of his patron's
daughter [884], who was contracted to Marcus Agrippa, but being suspected
of an illicit intercourse with her, and sent away on that account, he
betook himself to Cornelius Gallus, and lived with him on terms of the
greatest intimacy, which, indeed, was imputed to Gallus as one of his
heaviest offences, by Augustus. Then, after the condemnation and death
of Gallus [885], he opened a school, but had few pupils, and those very
young, nor any belonging to the higher orders, excepting the children of
those he could not refuse to admit. He was the first, it is said, who
held disputations in Latin, and who began to lecture on Virgil and the
other modern poets; which the verse of Domitius Marcus [886] points out.

Epirota tenellorum nutricula vatum.

The Epirot who,
With tender care, our unfledged poets nursed.

XVII. VERRIUS FLACCUS [887], a freedman, distinguished himself by a new
mode of teaching; for it was his practice to exercise the wits of his
scholars, by encouraging emulation among them; not only proposing the
subjects on which they were to write, but offering rewards for those who
were successful in the contest. These consisted of some ancient,
handsome, or rare book. Being, in consequence, selected by Augustus, as
preceptor to his grandsons, he transferred his entire school to the
Palatium, but with the understanding that he should admit no fresh
scholars. The hall in Catiline's house, (519) which had then been added
to the palace, was assigned him for his school, with a yearly allowance
of one hundred thousand sesterces. He died of old age, in the reign of
Tiberius. There is a statue of him at Praeneste, in the semi-circle at
the lower side of the forum, where he had set up calendars arranged by
himself, and inscribed on slabs of marble.

XVIII. LUCIUS CRASSITIUS, a native of Tarentum, and in rank a freedman,
had the cognomen of Pasides, which he afterwards changed for Pansa. His
first employment was connected with the stage, and his business was to
assist the writers of farces. After that, he took to giving lessons in a
gallery attached to a house, until his commentary on "The Smyrna" [888]
so brought him into notice, that the following lines were written on him:

Uni Crassitio se credere Smyrna probavit.
Desinite indocti, conjugio hanc petere.
Soli Crassitio se dixit nubere velle:
Intima cui so