FREE BOOKS

Author's List




PREV.   NEXT  
|<   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202  
203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   >>  
crept into these poems, I am so far from defending it, that I disown it, _totum hoc indictum volo_. Chaucer makes another manner of apology for his broad speaking and Boccace makes the like; but I will follow neither of them." An English reader is likely to have held his way through the Palamon and Arcite of Dryden, ere arriving at the knight's Tale of Chaucer. It will not easily happen that he overleaps that Version, so full of the fire and vigorous grace which he delights in, and couched in the very choicest of that English on which his ears habitually feed, to introduce himself all at once to the antique and to him obsolete Original. The pure impression, therefore, with which he would read the Tale in its proper place, if he there first got acquainted with it, is hardly to be obtained. No matter! Forget Dryden, and plunge yourself into Chaucer. Be surprised, if you can, as you surely will be amused, at encountering the inextricable commixture of manners, usages, tones, thinkings, and speakings, which time and space have done their best at keeping asunder--the chivalry of modern Europe, and of the middle ages, transplanted into the heroic age of old Greece, and to the Court of Theseus, "Duk of Athenes." Be surprised and amused, but do not therefore lay the book out of your hand, or laugh the old master to scorn, or do him other than reverent and honourable justice. Take rather the story to pieces, convince yourself step by step how strangely at every turn the old world and the new, the Christian and the Heathen, are confounded together, and feel at every step how the vitality which the good poet has infused into his work, reconciles and atones discordancies and discrepancies; and in spite of the perplexing physiognomy, how that must needs be one body which is informed and actuated, through all its joints and members, by one spirit. Take in pieces the story--untwist the intertwined classical and romantic threads. Make sure of the fault, and then hasten to forgive it. The fault! Are you quite sure that it is one? Recollect that it is not Chaucer who relates the Knight's Tale. Chaucer is here a dramatic poet, and his Knight relates his own tale. What!--Shall he, who has "full often time the bord begun,"-- "Aboven alle natiouns in Pruce;" who has "reysed in Lettowe, and in Ruce," has been-- "In Gernade at the siege Of Algesir, and ridden in Belmarie;" who was-- "At Leyes and at Sa
PREV.   NEXT  
|<   178   179   180   181   182   183   184   185   186   187   188   189   190   191   192   193   194   195   196   197   198   199   200   201   202  
203   204   205   206   207   208   209   210   211   212   213   214   215   216   217   218   219   220   221   222   >>  



Top keywords:

Chaucer

 

Dryden

 

Knight

 

relates

 

surprised

 

amused

 

pieces

 

English

 
discordancies
 
vitality

reconciles

 

infused

 
atones
 

confounded

 

master

 

reverent

 

Christian

 
Heathen
 

strangely

 
convince

honourable

 
justice
 

classical

 

natiouns

 

reysed

 

Lettowe

 

Aboven

 

Belmarie

 

ridden

 

Algesir


Gernade
 

dramatic

 
actuated
 

informed

 

joints

 

members

 

spirit

 

perplexing

 

physiognomy

 

untwist


intertwined

 

Recollect

 

forgive

 

hasten

 

romantic

 

threads

 
discrepancies
 

speakings

 

knight

 

arriving