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this sumptuous monument, Has left the seats of sempiternal rest! A fellow tall, on deeds of valour bent, My exclamation heard. "Bravo," he cried, "Sir Soldier, what you say is true, I vow! And he who says the contrary has lied!" With that he pulls his hat upon his brow, Upon his sword-hilt he his hand doth lay, And frowns--and--nothing does, but walks away!"[16] Far more ineffaccable even than the record left by Philip's life upon the history of Seville and Spain is that of this immortal soldier and scribbler, who "believed he had found something better to do than writing comedies." The soft, sonorous syllables of Guadalquivir (from the Arabic Wad-el-Kebir, or The Great River) would picture to the imaginative eye a river far more poetic than the sluggish stream that loiters across the wide plain and fruitful valley until it pierces the amber girdle of crenelated walls and embattled towers which enclose the treasures of Seville. On its broad bosom have swept the barks and galleys of Phoenicia and Greece, of Roman, Goth, and Moor. On its shores Columbus lowered the sails of his caravel and presented Spain with a new world on Palm Sunday, 1493; Pizarro and Cortez here first embarked their greedy and daring adventurers; hither Pizarro returned with hoards of gold and silver treasures from Mexico and Peru, for the Council of the Indies restricted all the trade of the colonies to the port of Seville. The valley through which the river descends is sheltered from the cold tablelands lying northward by the Sierra Morena chain. Gray olive trees, waving pastures, and fields of grain cover its slopes. A soft, tempered wind whispers through the grassy meadows of La Tierra de Maria Santissima, and the atmosphere is so dry and clear that far away against the horizon objects stand out in clear silhouette. So vivid are the colors that the smoky olive groves, the orange and lemon-colored walls, the fir trees, the chalky white of the stucco, the fleshy, prickly leaves of the cacti, and the tall standards of the aloes seem photographed on the brain. In a fair and fruitful land lies the city, and her spires pierce a smokeless, unspotted sky. In the heart of the city, set down in the very centre of her life of song and laughter and childish simplicity, surrounded by crooked streets and great airy courts, in the widest sunlit square, lies her Cathedral. The first impression made by a building is g
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