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ingdon trials, 28 Wingerworth, 416 Witchall, Judith, 269, 270, 415, 417 Witchfinder, Darrel as a, 75-83; Hopkins as a, 165-205; a Scotch pricker as a, 206-208; Ann Armstrong as a, 281-282 Wolsey, Thomas, Abp. of York, 19, 59 n. Women, proportion of to men in indictments for witchcraft, 114; of wives to spinsters and to widows, 114-115 Wood, Anthony a, cited, 295 n., 366 Wood, Joan, 386 Woodbridge, 392 Woodbury, 417 Woodhouse, Doctor, 257 Woodstock, 275 Wooler, 395 Worcester, 7, 216, 376, 387, 406, 409, 412 Worcester, Bishop of, 12, 340 Worcestershire, 208 n. Worthington, John, cited, 180 n. Wright, Elizabeth, 76, 78 n., 392 Wright, Grace, 405 Wright, Katherine, 75, 85, 353 Wright, Thomas, 100, 188 n., 376. Cited, 2 n., 6 n., 7 n., 9 n., 19 n., 25 n., 95 n., 100 n., 147 n., 401 Wrottesley, Lord, 162 n. Wylde, John, 212 Wynnick, John, 185 n., 187 n., 405 Yarmouth, 54, 181, 183, 199, 201, 263, 406. _See also_ Yarmouth, Great Yarmouth, Great, 389, 390, 395, 404 York, 111, 112, 119, 129, 144, 218, 220, 229 n., 249, 383, 389, 394, 398, 400, 413, 417 York, Archbishop of, 83 York Castle, 258 _York Depositions_, 218 n. Cited, _passim_ thereafter Yorkshire, 52, 118, 144, 146, 149-150, 210, 221, 222, 223, 254, 256, 278, 352, 383, 389, 391, 393, 395-397, 400, 402, 406-411, 414-416 _Yorkshire Notes and Queries_, cited, 257 n. Young, Margareta, 418 Young, Ruth, 418 Zurich, 14, 15 n., 87 n. _Zurich Letters_, cited, 17 n. Zweibruecken, 15 n. End of the Project Gutenberg EBook of A History of Witchcraft in England from 1558 to 1718, by Wallace Notestein *** END OF THIS PROJECT GUTENBERG EBOOK WITCHCRAFT *** ***** This file should be named 31511.txt or 31511.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/5/1/31511/ Produced by Suzanne Lybarger, Brian Janes, Meredith Bach, and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth
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