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ted. The man most laughed at was most loved. Oliver Goldsmith made the mirth of things. He was always forbearing, and to this passive pleasingness he added that finest of activities, unfailing kindliness. If it is no wonder that they loved him, it is no marvel that they laughed at him as well. [Illustration: _Rischgitz Collection._] GOLDSMITH IN MIDDLE AGE. (From an engraving by Ridley.)] It is commonly said that Goldsmith had a thick-set figure. This does not mean that he was a sturdy, muscular man. Weakness of constitution, a habit of stooping as he strolled in his meditative manner, and constantly bending as he wrote at desk or table, and early deprivations both of soul and body, had huddled up the low stature and given the compressed frame a semblance of solidity. His cheeks were sunken, and there were dark rims about the eyes, and the minimum of fleshly and substantial covering clad these limbs. Goldsmith had a queer little manner of bobbing. This bob he fondly imagined a bow. That it was meant to be dignified there is no doubt. It came a little from that personal vanity from which no one will ever wish to deem him entirely exempt, and a little, too, from great nervousness. It flowed also from an innate good breeding and cultured and natural chivalry. This bobbing as he entered or left a room was finely caricatured by Garrick. No doubt the actor's own bowing was the perfection of formal grace. Yet if the motive of politeness and personal ceremonial condone its outward and practical shortcomings, then we shall discover more true soul in Goldsmith's bob than Garrick's bow. Noll bobbed timidly when compliments were paid him, and gratefully and affirmatively when in his presence he heard others praised. If anything noble or beautiful was told of anyone, then came the revering little bob, this time intended as a tribute to human honour and the virtue of the heart and the valour of the race. CHAPTER VII DEBTS AND DIGNITIES All through his life Goldsmith was greatly given to grand clothes. It is a pity that grand clothes were not always greatly given to him, for he never appeared quite able to pay for them. Although he became deeply involved in debt, he never cultivated luxurious or unworthy delights. His pleasures were of the simplest. His insolvent condition was due, true enough, to pleasure and his foremost luxury--the luxury of ceaseless charities that he could as ill afford as a
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