FREE BOOKS

Author's List




PREV.   NEXT  
|<   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42  
43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   >>   >|  
the cut may have its full effect. Of course the draw back is by far the most common form of the "draw;" and on reference to the accompanying sketch (Fig. 19) it will be seen that the edge, if the hand retains its position _throughout the entire sweep_, on the circumference of the circle B D, will meet the object to be cut simply as a _hit_, and not as a _cut_. This is just what we want to avoid. [Illustration: Fig. 19.] Suppose the cut is being made parallel to the plane of the paper, and that the hilt of the sword is, in the first part of the sweep, moving on the circumference of the circle from B to D. Suppose, too, that the edge first meets the obstacle to be cut at the point _n_. Then slightly before _n_ is reached the "draw" should commence, the hand coming into position at F, and the point _n_ being necessarily drawn down to _n'_ by the time the object has been severed. That is to say, the portion of the blade between _m_ and _n_ will have been made effective in the drawing cut, the point _n_ having travelled in the direction of the dotted lines till it arrives at _n'_. The point _n_ is taken at random: it might be nearer the hilt or nearer the point, according to the distance of the object aimed at. It may also be observed that the "draw" _might_ continue during the entire sweep from B to F, but a very slight consideration will show clearly the advantage of keeping the arm fully extended until the edge is quite close to the object, as, by this means, the reach is increased and the _power of the cut gains considerably_. The dynamical proof of this latter advantage would take up too much space, and I regret that it is rather outside the scope of this little work. No matter how extended the arm may be when commencing the cut--and the more extended the better in the case of a long heavy sword--the "draw" should always come in towards the end of the sweep, the first part of which is merely intended to give the required impetus to the effective portion of the cut. How is it that an apple or potato can be divided by a straight cut when placed in the folds of a silk pocket-handkerchief, which remains uninjured? Simply because there is a complete absence of "draw," and the apple or potato is broken or split in two, much as the flesh is indented by the edge of the razor whilst the skin escapes without the slightest mark. In cavalry charges, etc., our soldiers too often forget that they have in their hands
PREV.   NEXT  
|<   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41   42  
43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   67   >>   >|  



Top keywords:
object
 

extended

 

nearer

 

advantage

 

effective

 

potato

 
portion
 
Suppose
 

circumference

 
circle

entire

 

position

 
matter
 

soldiers

 

charges

 

increased

 

commencing

 

dynamical

 
forget
 
considerably

cavalry

 

regret

 
whilst
 
remains
 

handkerchief

 

pocket

 

uninjured

 
Simply
 

complete

 

absence


broken

 

indented

 

escapes

 

intended

 
required
 

impetus

 
divided
 

straight

 
slightest
 

Illustration


parallel

 

moving

 

reached

 
commence
 

coming

 

slightly

 

obstacle

 

common

 

effect

 
reference