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terms of high praise of the liberality which has been manifested toward him by the papal authorities. LITERATURE, SCIENCE, ART, PERSONAL MOVEMENTS, ETC. UNITED STATES. The Exhibition of the National Academy of Design is now open. It is universally admitted that the paintings surpass those of any previous year The opening of the Exhibition was celebrated, according to custom, by a dinner, attended by artists, amateurs, and men of letters. Admirable speeches were made by Rev. Doctors BELLOWS and BETHUNE, who, though pole-wide apart in the sphere of theology, spanning the distance between Arius and Calvin, find common grounds of sympathy in their love for, and appreciation of Art. Mr. DURAND, the President, in a very felicitous speech, narrated his experience as an artist and as one of the founders of the Academy. Mr. GREENOUGH, at Florence, has nearly completed his group of the _Pioneer_, for the Capitol at Washington. It represents a backwoodsman rescuing his wife and child from an Indian who is in the act of smothering them in the folds of his blanket. The action of the group symbolizes the one unvarying story of the contest between civilized and uncivilized man. The pioneer, standing almost erect, in the pride of conscious superiority, has dashed upon one knee the Indian, whose relaxed form, and cowering face upturned despairingly, express premonitions of the inevitable doom awaiting him, against which all his efforts would be unavailing. The heavy brow, compressed lip, and firm chin of the white man announce him one of a race born to conquer and rule, not so much by mere physical strength as by undaunted courage and indomitable will. Those who have seen the group pronounce it to be a sublime conception grandly executed. A portrait of Mr. Calhoun, painted at Paris by Mr. HEALEY for the Common Council of Charleston, was exhibited at the Exposition in Paris, where it was pronounced one of the best portraits of the season. The size is seven feet ten inches, by four feet seven. The sum paid for it is one thousand dollars. We believe it has been forwarded to Charleston. Among the pictures by our artists, completed or in progress, we notice one by Mr. WRIGHT, representing the well-known story of Washington and the damaged cherry-tree, which is executed with decided cleverness.--Mr. DUGGAN is engaged upon a David and Goliath, one of those massy subjects affording ample scope for the bent of the artist's g
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