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The Project Gutenberg EBook of Reel Life Films, by Samuel Kimball Merwin This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Reel Life Films Author: Samuel Kimball Merwin Release Date: June 23, 2009 [EBook #29209] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK REEL LIFE FILMS *** Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net _At least a contributing factor to the current cycle of science fiction movies being made in Hollywood is the touchiness of minorities having their nationals being portrayed as villains. Cinema-makers are now trying to avoid further boycotts by using space aliens for villains. But suppose some of our Extraterrestrial neighbors are also a bit touchy?_ reel life films _by ... Jacques Jean Ferrat_ Pity the poor purveyor of mere entertainment in today's world. He can't afford to offend a soul, yet must have a villain. Twenty-five years ago Cyril Bezdek and E. Carter Dorwin would have met in a private railway car belonging to one of them. They might even have met in a private train. At any rate they would have met in absolute privacy. But it being the present, they had to be content with a series of adjoining rooms taking up less than one half of a car on the Super-Sachem, fastest coast-to-coast train in the country. Their meeting in private was very important. Upon its results hinged the future of Gigantic Studios, one of Hollywood's big three production companies. Dorwin was the powerful plenipotentiary of the Consolidated Trust Company of Manhattan and backer of Gigantic's multimillion-dollar productions. He was on his way West to make sure that the interests of his bank were being adequately served by the studio. Bezdek was Gigantic's supreme production boss. Former office boy, writer, prop man, assistant-director, director, producer, and story editor, he was the works--unless Dorwin decided otherwise during this meeting and pulled the props out from under him. He had thought Dorwin's trip sufficiently important to fly to Kansas City and get aboard the Super-Sachem to be with the banker during the
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