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ah, that Charles, my former partner in Dakota, had returned to the old home very ill with some obscure disease. Mitchell Morrison was a watch-maker and jeweler in Winona and Lee Moss had gone to Superior. The scattering process had begun. The diverging wind-currents of destiny had already parted our little group and every year would see its members farther apart. How remote it all seems to me now,--like something experienced on another planet! Each month saw me more and more the Bostonian by adoption. My teaching paid my board, leaving me free to study and to write. I never did any hack-work for the newspapers. Hawthorne's influence over me was still powerful, and in my first attempts at writing fiction I kept to the essay form and sought for a certain distinction in tone. In poetry, however, Bret Harte, Joaquin Miller, and Walt Whitman were more to my way of thinking than either Poe or Emerson. In brief I was sadly "mixed." Perhaps the enforced confinement of my city life gave all poems of the open air, of the prairies, their great and growing power over me for I had resolved to remain in Boston until such time as I could return to the West in the guise of a conqueror. Just what I was about to conquer and in what way I was to secure eminence was not very clear to me, but I was resolved none the less, and had no immediate intention of returning. In the summer of 1886 Brown held another Summer School and again I taught a class. Autumn brought a larger success. Mrs. Lee started a Browning Class in Chelsea, and another loyal pupil organized a Shakespeare class in Waltham. I enjoyed my trips to these classes very much and one of the first stories I ever wrote was suggested by some characters I saw in an old grocery store in Waltham. As I recall my method of teaching, it consisted chiefly of readings. My critical comment could not have been profound. I was earning now twelve dollars per week, part of this went for railway fare, but I still had a margin of profit. True I still wore reversible cuffs and carried my laundry bundles in order to secure the discount, but I dressed in better style and looked a little less like a starving Russian artist, and I was becoming an author! My entrance into print came about through my good friend, Mr. Hurd, the book reviewer of the _Transcript_. For him I began to write an occasional critical article or poem just to try my hand. One of my regular "beats" was up the three long flight
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