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ne from _Othello_, and cast himself for the principal _role_. The scene selected was the closing one of the play, and began with the speech delivered to Lodovico, Montano, and Gratiano, when they are about to take Othello prisoner. Rossetti used to say that he delivered the lines in a frenzy of boyish excitement, and coming to the words-- Set you down this: And say, besides,--that in Aleppo once, Where a malignant and a turban'd Turk Beat a Venetian, and traduced the state, I took by the throat the circumcised dog, And smote him--thus!-- he snatched up an iron chisel, that lay somewhere at hand, and, to the consternation of his companions, smote himself with all his might on the chest, inflicting a wound from which he bled and fainted. He is described by those who remember him, at this period, as a boy of a gentle and affectionate nature, albeit prone to outbursts of masterfulness. The earliest existent portraits represent a comely youth, having redundant auburn hair curling all round the head, and eyes and forehead of extraordinary beauty. It is said that he was brave and manly of temperament, courageous as to personal suffering, eminently solicitous of the welfare of others, and kind and considerate to*such as he had claims upon. This is no doubt true portraiture, but it must be stated (however open to explanation, on grounds of laudable self-depreciation), that it is not the picture which he himself used to paint of his character as a boy. He often described himself as being destitute of personal courage when at school, as shrinking from the amusements of schoolfellows, and fearful of their quarrels; not wholly without generous impulses, but, in the main, selfish of nature and reclusive in habit of life. He was certainly free from the meaningless affectation--for such it too frequently is--of representing his school-days as the happiest of his life. If, after so much undervaluing of himself, it were possible to trust his estimate of his youthful character, he would have had you believe that school was to him a place of semi-purgatorial probation,--which nothing but love of his mother, and desire to meet her wishes, prevented him, as an irreclaimable antischoliast, from obstinately renouncing at a time when he had learned little Latin, and less Greek. Having from childhood shown a propensity towards painting, the strong inclination was fostered by his parents, a
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