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my final performance and several Tri-D video cameras stared down at me. Pupils, lights and lenses, all came to a glittering focus on me. I slowly closed my eyes to blot the hypnotic horror out. But when I opened them everything was still there as before. Then Erics' head, growing as he inspected my face more closely, covered everything else up. "When are you going to begin?" I demanded. "We have _finished_," he answered in awe that verged upon reverence. "You are the new Adam!" There was a mounting burst of applause as the viewers learned what I had said. My mind was working more clearly than it had in a long time and, with all the wisdom of hindsight, I wondered how anyone could have ever doubted the outcome. We had known all along that every bit of atomic matter in each cell is replaced many times in one lifetime, electron by electron, without the cell's overall form disappearing. Now, by equally gradual steps, it had happened in the vaster arena of Newtonian living matter. I sat up slowly, looking with renewed wonder on everything from the magnetic screw in the light above my head to the nail on the wriggling toe of my left foot. I was more than Achilles' Ship. I was a living being at whose center lay a still yet turning point that could neither be new nor old but only immortal. THE END Transcriber's Note: This etext was produced from _Amazing Science Fiction Stories_ January 1960. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. Minor spelling and typographical errors have been corrected without note. End of the Project Gutenberg EBook of Man Made, by Albert R. Teichner *** END OF THIS PROJECT GUTENBERG EBOOK MAN MADE *** ***** This file should be named 24955.txt or 24955.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/4/9/5/24955/ Produced by Greg Weeks, Stephen Blundell and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of th
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