pert dunces depicted by Moliere with a
bold gaze and a nose held high in the air; he was an honest fellow,
with a pleasant face, lips a trifle protruding, soft-mannered and
serviceable, with a good round head, such as one likes to see on the
shoulders of a friend. His eyes were blue, his complexion rubicund,
his figure almost portly and well-built, his body muscular, and his
physical powers fully developed by the exercises of his younger days.
His brown hair was somewhat tumbled; for, while the ancient sculptors
are said to have known eighteen methods of arranging Minerva's tresses,
Passepartout was familiar with but one of dressing his own: three
strokes of a large-tooth comb completed his toilet.
It would be rash to predict how Passepartout's lively nature would
agree with Mr. Fogg. It was impossible to tell whether the new servant
would turn out as absolutely methodical as his master required;
experience alone could solve the question. Passepartout had been a
sort of vagrant in his early years, and now yearned for repose; but so
far he had failed to find it, though he had already served in ten
English houses. But he could not take root in any of these; with
chagrin, he found his masters invariably whimsical and irregular,
constantly running about the country, or on the look-out for adventure.
His last master, young Lord Longferry, Member of Parliament, after
passing his nights in the Haymarket taverns, was too often brought home
in the morning on policemen's shoulders. Passepartout, desirous of
respecting the gentleman whom he served, ventured a mild remonstrance
on such conduct; which, being ill-received, he took his leave. Hearing
that Mr. Phileas Fogg was looking for a servant, and that his life was
one of unbroken regularity, that he neither travelled nor stayed from
home overnight, he felt sure that this would be the place he was after.
He presented himself, and was accepted, as has been seen.
At half-past eleven, then, Passepartout found himself alone in the
house in Saville Row. He begun its inspection without delay, scouring
it from cellar to garret. So clean, well-arranged, solemn a mansion
pleased him; it seemed to him like a snail's shell, lighted and warmed
by gas, which sufficed for both these purposes. When Passepartout
reached the second story he recognised at once the room which he was to
inhabit, and he was well satisfied with it. Electric bells and
speaking-tubes afforded communication
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