w a long breath.

"I will go to the city of the hills," she said softly, "and this man,"
she shrugged her shoulders, "I do not care what happens to him," she
said, with a smile of amusement at the pallid Marcus.

"Then he shall go to Tangier alone."

But Marcus Stepney did not go alone. For the last two miles of the
journey he had carried a bag containing the greater part of five million
francs that the girl had brought from the boat. Jean did not remember
this until she was on her way to the city of the hills, and by that time
money did not interest her.

THE END.

* * * * *

TRANSCRIBER'S NOTES.

The following typographical errors in the text were corrected as
detailed here.

In the text: "Had she known Mr. Marcus Stepney as well as Jean knew him
... " the name "Joan" was corrected to "Jean."

The words "mud-guard" and "taxi-cab" are inconsistently hyphenated in
the original.

In the text: '"Poor soul," said Jack dryly. "but ... "' the period
after "dryly" was corrected to a comma.

* * * * *

End of the Project Gutenberg EBook of The Angel of Terror, by Edgar Wallace

*** END OF THIS PROJECT GUTENBERG EBOOK THE ANGEL OF TERROR ***

***** This file should be named 21530.txt or 21530.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/1/5/3/21530/

Produced by David Clarke, Geetu Melwani and the Online
Distributed Proofreading Team at http://www.pgdp.net

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and