d ambitions, shattered pride,
and the hideous knowledge of the holocaust of human life he has
deliberately sacrificed to these heathen gods of his. No poorest man on
earth would change places with this man-that-might-have-been, for his
time draws nigh and his end is perdition.
Let That Other speak:
"Their souls are Mine.
Their lives were in thy hand;--
Of thee I do require them!
"The fetor of thy grim burnt-offerings
Comes up to Me in clouds of bitterness.
Thy fell undoings crucify afresh
Thy Lord--who died alike for these and thee.
Thy works are Death:--thy spear is in My side,--
O man! O man!--was it for this I died?
Was it for this?--
A valiant people harried to the void,--
Their fruitful fields a burnt-out wilderness,--
Their prosperous country ravelled into waste,--
Their smiling land a vast red sepulchre,--
--Thy work!
"Thou art the man! The scales were in thy hand.
For this vast wrong I hold thy soul in fee.
Seek not a scapegoat for thy righteous due,
Nor hope to void thy countability.
Until thou purge thy pride and turn to Me,--
As thou hast done, so be it unto thee!"
JOHN OXENHAM.
[Illustration: THOU ART THE MAN
"We wage war on Divine principles."]
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SYMPATHY
The cartoon requires no words to tell the story. It holds chapter upon
chapter of tragedy. "I will send you to Germany after your father!"
Where is the boy's father in Germany? In a prison? Mending roads? Lying
maimed and broken in a rude hospital? Digging graves for comrades about
to be shot? Or, more likely still, in a rough unknown stranger's grave?
Was the father dragged from his home at Louvain, or Tirlemont, or Vise,
or one of the dozen other scenes of outrage and murder--a harmless,
hard-working citizen-dragged from his hiding-place and made to suffer
"exemplary justice" for having "opposed the Kaiser's might," but in
reality because he was a Belgian, for whose nasty breed there must be
demonstrations of Germany's frightfulness _pour encourager les autres_?
And the child's mother and sisters--what of them? He is dejected, but
not broken. There is dignity in the boy's defiant pose. The scene
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