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s Cagliostro, Mesmer, and the mysterious Saint Germain the deathless. Cagliostro and Saint Germain both came on the world with an appearance of great wealth and display. The source of the opulence of Saint Germain is as obscure as was the source of the sudden enrichment of Beau Wilson, whom Law, the financier, killed in a duel. Cagliostro, like Law, may have acquired his diamonds by gambling or swindling. But neither these two men nor Mesmer, though much in the society of princes, could have hoped, openly and with the approval of Louis XV. or Louis XVI., to wed a noble lady. Yet Home did so twice, though he had no wealth at all. Cagliostro was a low-born Neapolitan ruffian. But he had a presence! In the Memoirs of Madame d'Oberkirch she tells us how much she disliked and distrusted Cagliostro, always avoiding him, and warning Cardinal Rohan against him--in vain. But she admits that the man dominated her, or would have dominated her, by something inexplicable in his eyes, his bearing, and his unaccountable knowledge, as when he publicly announced, on a certain day, the death of the great Empress, Maria Theresa, of which the news did not arrive till five days later. Now Home had none of this dominating personality. He has been described to me, by a lady who knew him in his later years, when he had ceased to work drawing-room miracles in society, as a gentle, kindly, quiet person, with no obvious fault, unless a harmless and childlike vanity be a fault. Thus he struck an observer not of his intimate circle. He liked to give readings and recitations, and he played the piano with a good deal of feeling. He was a fair linguist, he had been a Catholic, he was of the middle order of intelligence, he had no 'mission' except to prove that disembodied spirits exist, if that were a legitimate inference from the marvels which attended him. Mr. Robert Bell in _The Cornhill Magazine_, Vol. II., 1860, described Home's miracles in an article called 'Stranger than Fiction.' His account of the man's personality is exactly like what I have already given. Home was 'a very mild specimen of familiar humanity.' His health was bad. 'The expression of his face in repose' (he was only twenty-seven) 'is that of physical suffering.... There is more kindliness and gentleness than vigour in the character of his features.... He is yet so young that the playfulness of boyhood has not passed away, and he never seems so thoroughly at ease with himself
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