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s embodied in a sculptured form. Although, compared with the life-warm, mobile face of a friend, the marble is cold and pulseless and unresponsive, yet it is beautiful to my hand. Its flowing curves and bendings are a real pleasure; only breath is wanting; but under the spell of the imagination the marble thrills and becomes the divine reality of the ideal. Imagination puts a sentiment into every line and curve, and the statue in my touch is indeed the goddess herself who breathes and moves and enchants. It is true, however, that some sculptures, even recognized masterpieces, do not please my hand. When I touch what there is of the Winged Victory, it reminds me at first of a headless, limbless dream that flies towards me in an unrestful sleep. The garments of the Victory thrust stiffly out behind, and do not resemble garments that I have felt flying, fluttering, folding, spreading in the wind. But imagination fulfils these imperfections, and straightway the Victory becomes a powerful and spirited figure with the sweep of sea-winds in her robes and the splendour of conquest in her wings. I find in a beautiful statue perfection of bodily form, the qualities of balance and completeness. The Minerva, hung with a web of poetical allusion, gives me a sense of exhilaration that is almost physical; and I like the luxuriant, wavy hair of Bacchus and Apollo, and the wreath of ivy, so suggestive of pagan holidays. So imagination crowns the experience of my hands. And they learned their cunning from the wise hand of another, which, itself guided by imagination, led me safely in paths that I knew not, made darkness light before me, and made crooked ways straight. THE HANDS OF OTHERS II THE HANDS OF OTHERS THE warmth and protectiveness of the hand are most homefelt to me who have always looked to it for aid and joy. I understand perfectly how the Psalmist can lift up his voice with strength and gladness, singing, "I put my trust in the Lord at all times, and his hand shall uphold me, and I shall dwell in safety." In the strength of the human hand, too, there is something divine. I am told that the glance of a beloved eye thrills one from a distance; but there is no distance in the touch of a beloved hand. Even the letters I receive are-- Kind letters that betray the heart's deep history, In which we feel the presence of a hand. It is interesting to observe the differences in the
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